Conspicuous Non-Consumption / An Email Free Lifestyle

When Veblen came up with the concept of conspicuous consumption it quite clearly contained within it the idea of conspicuous non-consumption as well. Having a servant is one thing, but having a servant who clearly doesn't even do anything is clearly more conspicuous. In contemporary society nothing can illustrate this clearer then a visit to a high end jeans emporium or a stroll through Williamsburg Brooklyn. The more your clothes make it look like you don't work, beyond perhaps maybe painting or playing in a band, the more status you get, and the price of damaged denim reflects that.

In the networked lifestyle of connected elite (and by that I mean 'elite' in a rather broad sense that almost certainly includes you, my reader) nothing could convey status more than a freedom from email. Not just a knee jerk turn off the computer sort of freedom from email. That might be nice for a week or two, but reactionary is not the answer. No, what would take real skill is the cut out email from your life and remain connected, to say be able to be a freelancer or run a business, without using email. Virtually an impossible task in that particular strata of Western culture I happen to live in. So hard to obtain, and thus such a potential status symbol.

Email is so deeply entrenched in our lives its become easy to hate, but impossible to let go. If one is looking for an obtainable status symbol, the empty inbox is of course the way to go. What I'd really like though is to be free not from the emails themselves, but from the obligations attached to the emails. Waves and waves of spam have somewhat weakened the expectation of a response to an email, but they haven't killed it. And not only do emails carry a sense of obligation, but they also have a longer half life than say a voicemail. Those voice messages sometimes pile up, but the system is architected to push them out. Limited recording time, minimal visual representation, and a linearity that pushes old messages out of the way.

Emails sits in your inbox, or whatever folder they get filtered too, and they stay there, visible until you take action. A visual nag, a persistent stress on the system. Lately I've been thinking of adding an autoresponce to my email system. Send me an email and I'll have an automated reply. Something to the effect that I will read the email, but I don't take actions based on emails. If you want me to do something, call, txt or im are the ways to go. Email is for archives, reference and file transfer. One way information and maybe an occasional long slow conversation. Calls to action? They belong on active media, live media.

So I don't quite have the nerve to install it yet. There is a rudeness and arrogance to it, exactly the sort of thing Veblen took such apparent pleasure in skewering. I'm still just another data whore, racking up messages in that inbox. So what about you?

Web 2.02 (bottom up)

Peter Merholz has a response up to my Web 2.0 piece. Peter is one of the sharpest commentators and observers of the internet around and par the course it well worth reading. And he brings up two points that need some clarification, so as Slick Rick would say, here we go:

First off Peter is entirely right that the early web was not a place where "anyone" could build. Not in the least. But I also was pretty careful not to make that claim, so I'm not sure where the "anyone" Peter puts in quotes comes from.

The distinction between and amateur and professional is like that between the ocean and land, very clear most of the time, but almost impossible to pin down at the border regions. And when you talk about amateur and professional skills rather than amateurs and professionals as in people, well then the distinction becomes almost impossible to sort out. But in the end I think it's pretty damn clear that it takes a lot more skills to be rolling your own up to general standards websites now then it did 10 years ago. You just can't learn how to make Ajax sites or database driven sites or write good CSS the way you used to be able to learn HTML or Flash 3. Precisely demarcating that difference is near impossible, but it's pretty clear that it exists. The somewhat arbitrary and perhaps a bit silly distinction I used, of a skill that a reasonably intelligent and motivated person could learn in a weekend was there precisely to make it clear that the amateur web was not one that "anyone" could get onto, but was one that took a very different sort of learning process then what exists today to become a creator.

Peter's second point is well taken and I'm afraid I'm a bit at fault. I never meant to imply in any way that Peter was intentionally arguing that companies should relinquish control over to his company. However whether he likes it or not I do believe that is part of what he in effect did end up arguing. I mean, the article appeared on the website of the company he founded, a company in the business of selling web consulting. And when he says companies should relinquish control he's not saying they should have a gang of monkey's generate their websites or hire 14 year old "script kiddies" to write their code or turn your whole ecommerce site into a wiki. Relinquishing control is not something that you can just do like its a Nike ad. Rather in order to do it, you need to make sure you do it right. And if you want to do it right, hiring Peter and Adaptive Path is probably one of the smartest things you could do. They are among the very best, I have a strange feeling they'll do a much better job figuring out how to relinquish control then you, or most other companies could do on their own.

There is a reason for this, "relinquishing control" is hard, really hard. And not just psychologically, there are an awful lot of ways you can do it wrong. There is a reason why Amazon lets you add comments to book pages, but not edit the author and title of the book or use the page a private bulletin board, and its not because they hate their customers. Flickr lets you upload photos, but not mp3s or java applets. Ebay lets you sell your items online but requires you register with them. None of these businesses would work if they just let customers do anything and everything. They aren't in the lose control business, they are in the business of facilitating the flow of information. Not just any information too, but specific information, quality specific information, information relevant to their particular focuses.

When Amazon opened up its pages to comments they radically increased the amount of information available about each book purchase. In the process they relinquished some control over to their customers, in a rather controlled manner of course. Flickr gives their users control over their own photos online, but the numerous interface innovations that in part drives their success stem from controlling exactly what type of files the users can post. By narrowing the channel of information down to a couple similar image file types, the Flickr team was able to open up a whole array of ways in which that particular type of information could flow.

It is important to understand that openness and control do not necessarily need to be in conflict, they are not paradoxical at all, but in fact often work together integrally. It is only in very localized circumstances, for instance in the specific decision whether to have an API to a system or not, that the two enter into a dialectical relationship. Most of the time the two coexist quite easily, often complementing each other, and sometime quite essential to each others operation. For instance the distributed network that is the entire internet, would be close to useless without the centralized DNS system, which dictates the address on the network of practically every publicly accessible object on the internet.

My favorite example is still Brian Eno's Music for Airports. On this record Eno set out to create a generative system for music, a way to create music without the rigid control proscribed by western (and most other) music tradition. But to give up control completely is to give up being music at all. Even John Cage, whose 4'33" opens the entire piece up to the audience to create, relies upon the piece being done in a controlled environment. Outside of the performance hall, absent a performer on stage to provide a focal point, the piece no longer is music, is no longer recognizable. Eno, went far beyond this, he carefully curated the sounds going into his record. He went through an elaborate and convoluted process to create longs loops of sound out of rhythmic sync with each other. He hijacked the entire studio space to make the mechanics possible. He gave up control over certain key elements of the piece, the time when any given sound would play, and opened up a vast potential space for variation in the piece, but in order to achieve that liberation, he needed to control most of the process.

From a creators point of view it might be helpful to think not of control, but of self-discipline. Mike Migusrki has a piece doing exactly that, and its quite insightful. As a creator, in order to achieve the freedom to create what you envision in your head you need to achieve a certain mastery of your discipline. Only once you have achieved a certain control over your tools are your free to create what you want. Translated into a networked environment this transforms into a slightly different discipline. Suddenly the tools are shared, in order for information to flow from site to site, system to system a shared discipline must be developed and maintained. This discipline then becomes both a potential means to achieve a freedom and a potential for control to be implemented.

I wrote most of the above last week, before Katrina and its aftereffects disrupted all thought patterns. Since then the Web 2.0 conversation has advanced a bit, most notably with danah boyd's "Why Web2.0 Matters: Preparing for Glocalization". Have a feeling there is plenty more to come too. But overall I have the feeling there isn't really much disagreement. Expansion yes, Web 2.0 is a pretty amorphous thing, but there is something there and everyone wants to finger it. But perhaps the real answer is that old stand by, "all of the above". Or perhaps not, I'm looking forward to what comes next...

Anarchy, New Orleans Edition (bottom up)

The first warning sign I caught was in midst of the Hurricane build up. Can't remember where, but buried in some article was a line about long lines to get into the Superdome, the shelter of 'last resort'. Long lines because security at the door was searching everyone for drugs and guns.

The storm of the century is blasting towards New Orleans and police are busy searching people for drugs and guns, something was ajar, the record skipped a groove. The impact wasn't in yet the storm had not landed, this was supposed to be a story about a natural disaster and the human response, where the hell did the drugs and guns, the search and seizure, where did it come into the picture.

Welcome to New Orleans.

Beneath the jazz history, oil flows and 24 hour drinking establishments, is a city of deeply entrenched poverty, distrust and inequality. Its a city where a quarter of the population lives in poverty. A city where a largely white police force plays enforcer to a population that is 70% black. As liberated as the city may seem to a drinker, its never escaped the shadows of slavery and the equally insidious but far more subtle structures of racism that followed. As in much of the south the Civil War never quite ended in New Orleans. Beneath the Marti Gras facade of the city is a perpetual tension, a poverty that goes beyond economics, a poverty of communication, a poverty of politics, a poverty of trust.

The destruction of New Orleans began long before the hurricane hit. The looting, chaos and armed gangs began long before the levees broke. You could read it in the paper as Katrina approached, a storm is coming and what are the police doing? What they always are doing, searching the population, imposing their will. The city is being evacuated, but the police and general population can never work together in this city, the divides are so deep that they stand up strong and violent even as the levees fall.

In the intensely disturbing days that followed, that as I write this still appear to continue, two news items hit even harder, even nastier, then the rest. One was the stories of New Orleans police turning in their badges, their ties to the community had been severed by the waters, they no longer cared for the city they had sworn to serve and protect. Nothing could be a stronger indictment of just what a wounded community existed in New Orleans, of just how much the police force was their to protect property not serve the people of the city. Perhaps even more shocking and nearly entirely blocked from the news is the fact that troops (Louisiana National Guard?) where blocking the bridge out of the city, preventing thousands from walking out the disaster zone and the Red Cross from coming in. New Orleans had been turned into a prison, a war zone, an area not to be helped, but to be contained. If these reports turn out to be true, so far the only source I've found is of all places Fox New's Shepard Smith, then the story evolves from disaster and into one of crimes against humanity. And I suspect its damn true, I was wondering just why no one was walking out long before that report, and Nola.com was filled with reports of people being denied entry to rescue people at confirmed locations.

What this all builds up to goes beyond just the racism, repression and persistent
low level class warfare at work and into anarchy. Anarchy is a funny word, the mainstream news was full of it for the past few days. Anarchy as chaos, lose of control, the inmates running the prison while the lights stayed out. Anarchists however have quite a different definition of anarchy however, and completely out of step with their philosophy, are rather insistent that others use their definition despite the fact that a vast majority of people use a quite different definition.

My friend tobias c. van Veen provides a good example, in his other wise spot on essay "A Black Rainbow Over Downtown New Orleans", he makes the claim that no, New Orleans is not in a state of anarchy, but rather "the rupture of the facade of global capital". Which is all probably true if one follows one of the rigid definitions of anarchy favored by practitioners, but utterly incomprehensible to those of us who still are aware of word in its common usage. New Orleans was in a state of anarchy after the disaster, a state where the law was absent, a non force, a state of chaos.

What's really interesting to me though is that neither definition of anarchy, the anarchist's own definition or the common more frenzied one need to be contradictory. In fact both anarchies are easily contained within one definition, and both are in reality potential states of one concept, potential states of anarchism.

Anarchy is the social state free of political authority, and in the days after Katrina hit New Orleans is a clear example of what can happen in such circumstances. That "can" is essential though, it does not mean that is what will always happen and in fact there are plenty of examples quite to the contrary. New York after 9-11 is the one that immediately springs to mind, but perhaps Chalmette, Louisiana is even better, a small town seven miles east of New Orleans where the Katrina tied together rather then divide the community.

Anarchy is by its very nature an emergent system. What emerges does not necessarily need to be intelligent or organized, but since there is no direct centralizing force, whatever group behavior exists must be emergent in some manner.* But just how anarchy emerges is not predetermined in any manner, and in fact there are a variety of potential states that it might take. What determines what state anarchy enters into is largely determined by environment, culture and forms of energy circulating within the anarchistic space.

In New Orleans a culture of distrust and borderline warfare was long present in the environment. Poverty, racism and drugs where part of day to day life. As nearly all the white people, along with the black middle class and elite fled New Orleans what remained was largely two groups the helpless and the deeply repressed. Free of the persistent police presence, hungry, lacking water, plumbing and electricity anarchy emerged. Some of the anarchy was people breaking into stores for food and water. Some was people breaking in to obtain those material goods they never obtain in the political and economic climate that was New Orleans. And some of it was just plain people breaking. Pains and pressures snapping into the form of rapes, beatings and bullets directed at the police.

It was all there and apparent as the Hurricane approached. The police officers slowly and intensely searching every person as they entered the Superdome seeking shelter clearly illustrated the failure of this community and the vicious environment constructed to keep it that way. This was a community already at war, a long drawn out police action of a war. A community without trust. These are the force that directed the emergence of anarchy. The forces that pushed the anarchy towards its violent emergence, its most tragic form.

Anarchists, expect perhaps a few lunatics, want no part of this sort of anarchy, and in fact will go to great measures to redefine anarchy to exclude these realities. But in fact the anarchies of the anarchists are merely other potential states of the exact same anarchy that New Orleans produced. Far more positive potential states, and ones that can be glimpsed at in places like Chalmette during this disaster. There residents ignored by authorities for six days distributed food via boat, did their own rescuing and created their own shelter. Just as in New Orleans it was anarchy, the absence of political control, the parish officials had fled. But a very different state of anarchy, guided by an environment not nearly as oppressive as New Orleans.

Just who is responsible for the various police actions around New Orleans is still pretty clear, but its becoming evident that the various government agencies at work went out of their way to ensure the anarchy of New Orleans would be pushed towards a negative not positive state. The searches at the Superdome where just the prelude. The combat operations, "little Somalia" approach of the US Army was the most over the top. Most odious and damaging though was the sealing of the city, the turning of the city into a prison where people could not walk out. Volunteers with boats where turned away, people with confirmed locations could not enter to pick up relatives and friends. Even the Red Cross was kept out. The government it seems was far more concerned with containing the poor of New Orleans then in solving any problems. Its not a new story, its merely a wretched retelling of the same foul story of slavery in America and lord its not pretty. Its a story that will get told again and again too, perhaps never with the same catastrophic energy of Katrina pulsing through it, perhaps never with the same media attention, but the same old story, same old tragedy once again.






* This it should be noted gets directly at one of the biggest confusions surrounding emergence, there is a massive difference between an emergent intelligence, an emergent system and an emergent property.

Anarchy, New Orleans Edition (bottom up)

The first warning sign I caught was in midst of the Hurricane build up. Can't remember where, but buried in some article was a line about long lines to get into the Superdome, the shelter of 'last resort'. Long lines because security at the door was searching everyone for drugs and guns.

The storm of the century is blasting towards New Orleans and police are busy searching people for drugs and guns, something was ajar, the record skipped a groove. The impact wasn't in yet the storm had not landed, this was supposed to be a story about a natural disaster and the human response, where the hell did the drugs and guns, the search and seizure, where did it come into the picture.

Welcome to New Orleans.

Beneath the jazz history, oil flows and 24 hour drinking establishments, is a city of deeply entrenched poverty, distrust and inequality. Its a city where a quarter of the population lives in poverty. A city where a largely white police force plays enforcer to a population that is 70% black. As liberated as the city may seem to a drinker, its never escaped the shadows of slavery and the equally insidious but far more subtle structures of racism that followed. As in much of the south the Civil War never quite ended in New Orleans. Beneath the Marti Gras facade of the city is a perpetual tension, a poverty that goes beyond economics, a poverty of communication, a poverty of politics, a poverty of trust.

The destruction of New Orleans began long before the hurricane hit. The looting, chaos and armed gangs began long before the levees broke. You could read it in the paper as Katrina approached, a storm is coming and what are the police doing? What they always are doing, searching the population, imposing their will. The city is being evacuated, but the police and general population can never work together in this city, the divides are so deep that they stand up strong and violent even as the levees fall.

In the intensely disturbing days that followed, that as I write this still appear to continue, two news items hit even harder, even nastier, then the rest. One was the stories of New Orleans police turning in their badges, their ties to the community had been severed by the waters, they no longer cared for the city they had sworn to serve and protect. Nothing could be a stronger indictment of just what a wounded community existed in New Orleans, of just how much the police force was their to protect property not serve the people of the city. Perhaps even more shocking and nearly entirely blocked from the news is the fact that troops (Louisiana National Guard?) where blocking the bridge out of the city, preventing thousands from walking out the disaster zone and the Red Cross from coming in. New Orleans had been turned into a prison, a war zone, an area not to be helped, but to be contained. If these reports turn out to be true, so far the only source I've found is of all places Fox New's Shepard Smith, then the story evolves from disaster and into one of crimes against humanity. And I suspect its damn true, I was wondering just why no one was walking out long before that report, and Nola.com was filled with reports of people being denied entry to rescue people at confirmed locations.

What this all builds up to goes beyond just the racism, repression and persistent
low level class warfare at work and into anarchy. Anarchy is a funny word, the mainstream news was full of it for the past few days. Anarchy as chaos, lose of control, the inmates running the prison while the lights stayed out. Anarchists however have quite a different definition of anarchy however, and completely out of step with their philosophy, are rather insistent that others use their definition despite the fact that a vast majority of people use a quite different definition.

My friend tobias c. van Veen provides a good example, in his other wise spot on essay "A Black Rainbow Over Downtown New Orleans", he makes the claim that no, New Orleans is not in a state of anarchy, but rather "the rupture of the facade of global capital". Which is all probably true if one follows one of the rigid definitions of anarchy favored by practitioners, but utterly incomprehensible to those of us who still are aware of word in its common usage. New Orleans was in a state of anarchy after the disaster, a state where the law was absent, a non force, a state of chaos.

What's really interesting to me though is that neither definition of anarchy, the anarchist's own definition or the common more frenzied one need to be contradictory. In fact both anarchies are easily contained within one definition, and both are in reality potential states of one concept, potential states of anarchism.

Anarchy is the social state free of political authority, and in the days after Katrina hit New Orleans is a clear example of what can happen in such circumstances. That "can" is essential though, it does not mean that is what will always happen and in fact there are plenty of examples quite to the contrary. New York after 9-11 is the one that immediately springs to mind, but perhaps Chalmette, Louisiana is even better, a small town seven miles east of New Orleans where the Katrina tied together rather then divide the community.

Anarchy is by its very nature an emergent system. What emerges does not necessarily need to be intelligent or organized, but since there is no direct centralizing force, whatever group behavior exists must be emergent in some manner.* But just how anarchy emerges is not predetermined in any manner, and in fact there are a variety of potential states that it might take. What determines what state anarchy enters into is largely determined by environment, culture and forms of energy circulating within the anarchistic space.

In New Orleans a culture of distrust and borderline warfare was long present in the environment. Poverty, racism and drugs where part of day to day life. As nearly all the white people, along with the black middle class and elite fled New Orleans what remained was largely two groups the helpless and the deeply repressed. Free of the persistent police presence, hungry, lacking water, plumbing and electricity anarchy emerged. Some of the anarchy was people breaking into stores for food and water. Some was people breaking in to obtain those material goods they never obtain in the political and economic climate that was New Orleans. And some of it was just plain people breaking. Pains and pressures snapping into the form of rapes, beatings and bullets directed at the police.

It was all there and apparent as the Hurricane approached. The police officers slowly and intensely searching every person as they entered the Superdome seeking shelter clearly illustrated the failure of this community and the vicious environment constructed to keep it that way. This was a community already at war, a long drawn out police action of a war. A community without trust. These are the force that directed the emergence of anarchy. The forces that pushed the anarchy towards its violent emergence, its most tragic form.

Anarchists, expect perhaps a few lunatics, want no part of this sort of anarchy, and in fact will go to great measures to redefine anarchy to exclude these realities. But in fact the anarchies of the anarchists are merely other potential states of the exact same anarchy that New Orleans produced. Far more positive potential states, and ones that can be glimpsed at in places like Chalmette during this disaster. There residents ignored by authorities for six days distributed food via boat, did their own rescuing and created their own shelter. Just as in New Orleans it was anarchy, the absence of political control, the parish officials had fled. But a very different state of anarchy, guided by an environment not nearly as oppressive as New Orleans.

Just who is responsible for the various police actions around New Orleans is still pretty clear, but its becoming evident that the various government agencies at work went out of their way to ensure the anarchy of New Orleans would be pushed towards a negative not positive state. The searches at the Superdome where just the prelude. The combat operations, "little Somalia" approach of the US Army was the most over the top. Most odious and damaging though was the sealing of the city, the turning of the city into a prison where people could not walk out. Volunteers with boats where turned away, people with confirmed locations could not enter to pick up relatives and friends. Even the Red Cross was kept out. The government it seems was far more concerned with containing the poor of New Orleans then in solving any problems. Its not a new story, its merely a wretched retelling of the same foul story of slavery in America and lord its not pretty. Its a story that will get told again and again too, perhaps never with the same catastrophic energy of Katrina pulsing through it, perhaps never with the same media attention, but the same old story, same old tragedy once again.






* This it should be noted gets directly at one of the biggest confusions surrounding emergence, there is a massive difference between an emergent intelligence, an emergent system and an emergent property.

Libertarian Disasters (bottom up)

Jared Diamond has been asking a question for years. What where the Easter Islanders thinking when they cut down their last tree? If New Orleans is any guide then answer was that they were too busy looting to notice much.

Managers at a nursing home were prepared to cope with the power outages and had enough food for days, but then the looting began. The Covenant Home's bus driver surrendered the vehicle to carjackers after being threatened.

Bands of people drove by the nursing home, shouting to residents, ''Get out!'' On Wednesday, 80 residents, most of them in wheelchairs, were being evacuated to other nursing homes in the state.

''We had enough food for 10 days,'' said Peggy Hoffman, the home's executive director. ''Now we'll have to equip our department heads with guns and teach them how to shoot.''

That's the saddest reminder of how low humanity can sink when things go bad, although Diamond pointing out how the Easter Islander's diet increasing consisted of humans as their society fell just might beat it. It leaves me wondering what the libertarian response to this disaster might be. That the government is actually impeding the repairs, the market would have fixed the levee faster? That looting is better called the "competitive redistribution of goods", and is actually a good thing? Or that if every nursing home aid carried a gun things would have turned out different?

I've been addressing these issues in some very different contexts in the various "bottom up" posts. Well New Orleans is at the bottom, in more ways then one right now, and it will be interesting to see what happens. And these early reports sound more like warfare in the Congo then the sort of beautiful emergence that free marketers and high tech libertarians love to fantasize about. None of this comes much of a surprise to me as I've long been arguing that emergent systems don't just emerge out of the ether. When they do occur they occur in very particular environments.

Markets (and no market is ever really "free") work in civil societies. They tend to fall apart in the face of guns, to the point of non existence in again the Congo, or to the point of deep corruption as in the mafia markets of Russia. Out of all the animals in the world only a few display the sort of emergent intelligence of ants or termites. Occasionally such as in elephant stampedes, humans rioting or perhaps the mythical lemming mass suicides some animals display behavior that's a bit more like emergent stupidity. The point being that emergence is not nearly the simple thing that some would make it out to be. Books on the subject naturally focus on the occasions where it works, but in the process they give a distorted idea of how often they don't work. Which in term leads to fans of the concept having completely unreasonable ideas of how to go about getting that magical self organization to happen.

Self organizing and self regulating systems are fantastic creature, but they take real effort to make happen. The environment needs to be right. For a market that means a stable trusting society with a surplus of goods and a standard of equable exchange. For a community to self organize to prevent looting I suspect you need a sort of cohesiveness, social equality and absence of poverty that just doesn't exist in New Orleans, a city rife with centuries of unresolved social tension. Rather then chaos theory down in Louisiana, instead we get a bit more traditional style of chaos, and no its not nearly as pretty as say a Julia set.

update: I wish I never wondered what the libertarian response to the hurricane was, cause it just made me a bit iller. Over at Reason, probably the premier libertarian blog, the only hurricane post out of nearly 50 in the past 3 days is entitled "Hurricane Bullshit". And its a rant against global warming and the Kyoto accord. Main source? That most reliable of them all, the guy who wrote the book predicting the Dow Jones average would hit 36,000 in 3-5 years. He wrote it oh about 6 years ago...

Web 2.0

Are the internet hypelords getting a bit tired? There's this funny whiff of déjà vu that comes along with the latest and greatest buzzword: Web 2.0. Web 2.0? Wasn't that like 1995? Don't they remember that Business 2.0 magazine? Or remember how all the big companies have stopped using version numbers for software and instead hired professional marketers to make even blander and more confusing names? I hear "Web 2.0" and immediately smell yet another hit off the dotcom crackpipe...

But perhaps that's a little too harsh, while Web 2.0 might have emerged in a large part from tech publisher O'Reilly's PR, underneath it is a real feeling among some that there is something going on that makes the web of today different then the web of a few years ago. Blogs, open standards, long tails and the like. The most concise and clear definition I've found is Richard Manus', " the philosophy of Web 2.0 is to let go of control, share ideas and code, build on what others have built, free your data." Which of course doesn't sound that different then say the goes of the plain old unnumbered "web", back ten years ago. But the Web 2.0 are right, the web is different now, but the big differences aren't necessarily found in those prosaic "information wants to be free" ideals, which actually stand as one of the biggest constants in web evolution.

What really separates the "Web 2.0" from the "web" is the professionalism, the striation between the insiders and the users. When the web first started any motivated individual with an internet connection could join in the building. HTML took an hour or two to learn, and anyone could build. In the Web 2.0 they don't talk about anyone building sites, they talk about anyone publishing content. What's left unsaid is that when doing so they'll probably be using someone else's software. Blogger, TypePad, or if they are bit more technical maybe WordPress or Movable Type. It might be getting easier to publish, but its getting harder and harder to build the publishing tools. What's emerging is a power relationship, the insiders who build the technology and the outsiders who just use it.

The professionalization of the web has been a long and gradated process. The line between amateur and pro didn't exist at the dawn of the web, but over the course of the years, over the course of new technologies, a gap appeared and it continues to widen. There have been web professionals for a decade now, but where as the distinction between a pro and an amateur was once a rather smooth one, it is now a highly striated one. Early html took an afternoon to learn. Simple javascript, early versions of Flash, basic database usage, php, these are things that took a motivated but unexceptional individual a weekend to learn. All it took to transform into a pro was a weekend, a bit of drive and the ability to sell yourself to an employer. This is smooth separation.

Its 2005 now Ajax, the latest and greatest in web tech. If you want to build an Ajax site, you have two real options, be a professional or hire a professional. I'm sure there a few people out there who could teach themselves Ajax in a weekend, but they would have to be exceptional individuals. You can't just view source and reverse engineer Gmail or Reblog. You need to be a professional programmer who understands web standards, databases, CSS and dynamic html... These are apps built not just by pros, but often by teams of pros. The difference between a professional and amateur is no longer smooth, but striated.

The Web 2.0 is a professional web, a web run by insiders. In the larger space of the software industry as a whole these are still young brash upstarts pushing a somewhat radical agenda of openness and sharing. In contrast to the agenda's of old line software companies like Microsoft and Sun, AOL and Oracle, the Web 2.0 actually merits some of its hype. The world of RSS feeds, abundant APIs and open source code really is a major departure from the "own and control" approaches of an earlier generation of companies and something I'm personally in favor of. But just how open are these technologies really? And just how many people do they empower? Take a close look and Web 2.0 looks a bit more like a power grab and a bit less like a popular revolution.

Like the proponents of "free" markets, the pushers of Web 2.0 seem to have a quite an idealistic idea of just what "free" and "open" are, and how systems based around those concepts actually function. Peter Merholz is perhaps the sharpest and most thoughtful of Web 2.0 evangelists and his essay "How I Learned To Stop Worrying and Relinquish Control" just might be the best argument for the Web 2.0 philosophy around. But its also paints a radically misleading picture of what it means to "relinquish control". For relinquishing control doesn't just mean letting go, losing control, it actually means controlling just how you let go.

Netflicks is a great example. Merholz talks about how the company success revolved around giving up on late fees, unlike traditional video stores they did not control how long a customer could keep a video. A smart move for sure, but they didn't just relinquish control, but instead opted to control several other key factors. They gave up control on the length of the rental and instead opted to control how many videos a customer could have at any given time, and take control over the final decision as to what video a customer would get. Netflicks isn't giving up control, they are exchanging it, they built a highly controlled system in which enabled them to allow certain vectors, namely the length of video rentals, to fluctuate freely.

What Amazon.com's customer reviews, which Merholz prominently cites as an example of a company relinquishing control to its customers. And indeed if you write a review there is a good chance your words will show up in Amazon's page for the book. Amazon will cede control of that small section of the page to you. But just how much do they really give up? In submitting a review the reviewer grants "Amazon.com and its affiliates a nonexclusive, royalty-free, perpetual, irrevocable, and fully sub-licensable right to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, and display such content throughout the world in any media." Even then Amazon requires you to follow their review guidelines and delays the publication for 5 to 7 business days, quite possibly so that they can review the review in some way. Once this is all done the review is then placed on a page that Amazon has complete control over the layout. The reviews go near the bottom, well "below the fold". So just how much control has Amazon given away? And just how much have they gained back in return?

At the technological core of the Web 2.0 ideology is another innovation that Amazon has been a early leader in, public APIs, or Application Programming Interfaces. APIs are tricky concepts to grasp, they are essentially ways in which on computer program can talk to another, or one part of a computer program can talk to another part. Until recently, until Web 2.0, talking about public APIs basically meant talking about computer operating systems. Most APIs where private, things that development teams used to build complex systems of interlocking programs, things like Amazon, Ebay and Google. Amazon and Ebay in particular have quite complex relationships with a certain subset of their customers who happen to run businesses that rely in part or entirely on using Amazon or Ebay services. Amazon has affiliates and zshops, while Ebay its power sellers and eBay stores. I haven't been able to track down a good history of public web APIs, but I suspect Amazon and Ebay released theirs mainly as a service to their power customers, as a way to help these customers make them even more money. Google on the other hand released its public API mainly as a geek toy, not as a revenue source. The sort of action that makes Web 2.0 devotees ecstatic. The public API is a way to share data, allow independent programmers to build their own applications using information collected and sorted by the likes of Google and Amazon, and allows users to access this data in any variety of ways not fully controlled by the data holder. The public face of the public API is that of openness and sharing, of relinquishing control. Look a bit behind that facade though, and once again, we find yet another system of control.

A public API is not what a companies internal developers are using to extend their systems. It doesn't give you full access to the data or full access to the functionality of the system. This is often a good thing, as an Amazon customer I'm quite happy that the Amazon public API does not include access to credit card data or purchasing habits. Despite all the Web 2.0 hype about open data I've never seen anyone argue for companies sharing this info. But the limits on what can be accessed via a public API go far beyond just protecting confidential user information. In fact the company creating the API has absolute control over what goes into it. They maybe giving up a degree of control, but they are controlling exactly what that degree is.

A company that allows you to access their databases and applications via an API is clearly more open than one with no API at all. But the API is also instrumental in establishing an asymmetrical power relationship between the API maker and the user. The user is free to use the API, but the creator has control over just what goes into the API. In addition the use of the API is almost always governed by a license restricting just how free a user can be with an API. Google's API for instance restricts the number of "automated queries" to 1000 a day. This essentially means that it can be used to prototype an application, but not to create any sort of commercial use beyond the smallest of scales. But just in case the license also clearly prohibits any commercial use at all. Is this a way to free the data or a way to implement another level of control over it?

Any user of a public API runs the risk of entering a rather catch-22 position. The more useful the API is, the more dependent the user becomes on the APIs creator. In the case of Ebay sellers or Amazon affiliates this is often a mutually beneficial relationship, but also inherently unbalanced. The API user holds a position somewhat akin to a minor league baseball team or McDonald's franchisee, they are given the tools to run a successful operation, but are always beholden to the decisions of the parent organization. You can make a lot of money in one of those businesses, but you can't change the formula of the "beef" and you always run the risk of having your best prospects snatched away from you.

There is another asymmetrical relationship at work in the public API system, an asymmetry of data. The public API rarely, if ever, gives full access to the data and the way an internal API can. Even the most open of public APIs will not give access to stored credit card numbers and passwords, at least not intentionally. Often though the gap between the two systems is far greater. Google's public API for instance allows you to do searches and dictionary lookups, but doesn't give access any of the data mining functions at work in Google's internal system. You can't use the API to find out what terms are searched for more, what sort of searches are originating from a particular address, or what one particular user (based on Google's infamous 30 year cookie) has searched for over the past year. That sort of datamining is reserved for Google employees and their associates. And not only is the API user denied access to much of this information, they also are gifting Google with even more data from which it can extract data. With every public API call the creator gives out information it already possesses, while gaining a new piece of information back, information on what people are interested in.

At the core of the API is a system of control, the API creator has a nearly limitless ability to regulate what can go in and out of their system. And it is precisely this system of control that allows the API to set certain vectors of information free. In Google's case the ability to obtain ranked search results, definitions and a few other factors. In Amazon's case its book data, images of the cover, author names, titles, prices, etc. Ebay's lets you build your own interface to sell via their marketplace. Flickr's lets you search photos. In no case does the public API give full access to the system. You can't find passwords, credit card info, users addresses, all of which is a good thing. Nor can you find much info on what other API users are doing, or what the people using the standard web interface to these systems are doing. Often the volume of your activity is restricted. Often access requires registration, meaning not only is the use of the API monitored, but its also possible to associate that activity to a particular individual. By design, and perhaps by necessity an API privileges the creator over the user.

Privilege is what the Web 2.0 is really about. What separates the Web 2.0 from that plain old "web" is the establishment and entrenchment of a hierarchy of power and control. This is not the same control that Microsoft, AOL and other closed system / walled garden companies tried unsuccessfully to push upon internet users. Power in the Web 2.0 comes not from controlling the whole system, but in controlling the connections in a larger network of systems. It is the power of those who create not open systems, but semi-open systems, the power of API writers, network builders and standards definers.

More then anything else the paradoxes of Web 2.0 "freedom" then the open standard. Open standards are freely published protocols that people voluntarily agree to comply with. Standards like html (for publishing web pages), css (for controlling the look and layout of webpages), rss (for subscribing to information feeds) and jpeg (for compressing and viewing photolike images). These standards are not nearly as open as their name might imply. Sometimes they are created and run by corporations (Adobe's pdf format), sometimes by nonprofits (the W3C which governs html standards), sometimes like with RSS there are public fights and competing versions. Implementing changes to an open standard at the very least requires considerable political skills, one can easily make their own version of a standard, but unless they can convince others to adopt their version, its not a standard at all. It is only by gaining users that a protocol gains potency, and to do so the standard itself must be politicized, and frequently institutionalized.*

The real hook to the freedoms promised by the Web 2.0 disciples is that it requires nearly religious application of open standards (when of course it doesn't involve using a "public" API). The open standard is the control that enables the relinquishing of control. Data is not meant to circulate freely, its meant to circulate freely via the methods proscribed via an open standard. In order to relinquish control over the data one first must establish firm control over how that data is formatted and presented. An action that increasingly requires the services of a professional, whose involvement of course adds another layer of control. This is the world of the Web 2.0, a world of extreme freedom along certain vectors, extreme freedom for certain types of information. It is also a world of hierarchies and regulations, a world in which a (new) power structure has begun to establish and stratify itself.

If we return to Peter Merholz's essay, this can be seen rather clearly. It's title indicates its about him giving up control, but of course its really an argument that others should give up control. But where should this control go? How should it be done? This is, in Merholz's words, "a scary prospect". In the end he's not just arguing that companies should relinquish control, rather he's arguing that they should relinquish control over to him, his company Adaptive Path, and others that share their philosophy. Reliquish control over to the professionals, those that know what they are doing, know how to control things on the internet.

None of this should in anyway be construed as a critique of the Web 2.0, rather it is a critique of those who push one-sided visions of what the Web 2.0 is. If pushed into an oversimplified judgment I would come out solidly in favor of public APIs, open standard and circulation of information along the passages these systems create. But these transformations do not come unmitigated, they do not come without hooks and catches. In many ways Web 2.0 is just another revolution. Like many revolutionaries the leaders of the Web 2.0 make broad promises of empowerment for their supporters. But history shows time and time again that dust clears and the dirty battles washed away, it is the leaders, the insiders, that are by far the most empowered. At its heart this is the Web 2.0, a power grab by the internet generation, the installation of a new power structure, a new hierarchy, a new system of control.

*for a much more detailed exposition on the standards process and the issues of protocol see Alex Galloway's .

Datamining as the New Advertising

Actually the title is a bit misleading, datamining is not something that replaces advertising, the two are complementary. But while broadcast media operated on a tacit agreement between the producer and audience that the content would be free in exchange for the audience being exposed to ads, it looks like a new tacit agreement is emerging online, the content is free in exchange for the data to mine. Its been slowly cooking for years, cookies being the first real milestone, and like in broadcast no one is rushing to make clear to the audience/users just exactly they are getting themselves into...

The Power of Nightmares (bottom up)

Finally got around to watching The Power of Nightmares, or more accurately the final installment of the three part series. This BBC documentary is something of a fetish object among American Leftists, spoken about in hushed reverent tones as an object that will unveil the hidden truths. "Have you seen the Power of Nightmares? You must see the the Power of Nightmares". The object itself circulates via transcript and torrent, a little googling and you too can be an initiate...

Criticism often says as much about the critic themselves as it does about their target. Director Adam Curtis also directed a four hour documentary on Freud and his followers, so he surely must be aware of that fact. So is the autocratic tone of this film a deliberate maneuver or an unintentional slip on Curtis' part? This is a movie about politicians manipulating facts, but Curtis seems intent on mimicking them. Rather then raising questions it dictates an alternative history. Its clearly a successful tactic, but for me at least it deftly undercuts the purpose of the film. Is Curtis deliberately copping the style? Unconsciously aping it? Or is projecting his own paranoia and monomania onto his targets? Regardless of the truth, it makes the film a bit hard to take seriously, both Curtis and his targets want to tell stories without questions, when in reality the facts at hand are rather uncertain.

The most powerful and effective parts of the documentary where simply the clips of Bush and Rumsfeld selling the war. That they grossly distorted the facts shouldn't come as any surprise to just about anyone who has followed the story in any detail, but watching them in action with a few years of hindsight is quite revealing. These are characters who understand the power of authority and how to put it on television, and the left it seems has no counterpart, with perhaps the exception of director Curtis himself. During this build up the left was busy, working the web, trying to be bottom up, protesting in the streets. Some old ineffective tactics, some new ineffective tactics. Even with online fundraising a new effective tactic. But all the while the right kept pushing the tried and true, get on TV and say it with authority.

The more I look at it the more the rhetoric of emergence, "long tails", and "bottom up" begins to resemble a far older idea, divide and conquer. Only this time the dividing is self inflicted, praised even. That not to say I'm here to blanketly dismiss "bottom up", there is far to much unknown, and too much potential, to do anything of the sort. But until these theories come face to face with concept and application of power, they seem doomed to a particular ineffectiveness. In other words, a nightmare.

Survival of the Fittest / Intelligent Design

I've been holding back on writing about intelligent design for a few weeks. In part its because I'm not sure I can say anything about it better than Steven Shaviro did. But ultimately I'm just too in awe of the tactical brilliance of the "intelligent design" campaign, the latest attempt by religious conservatives to get creationism taught in schools. Intelligent design (in the origin of life sense, not the design as in a profession/process sense) is a beautifully crafted piece of intellectual judo, one that deftly uses the core tenets of science to unmask just how unscientific the defenders of science really are.

For the past century or so the creationism versus evolution debate has essentially been a binary one. The creationists want only creationism taught and as the tone setters for the debate they set up a battle that many darwinians where happy to follow along with. One or the other, not both, not in between. In many ways this is the 100 year setup, a long process to open up the ideological weakness of science's defenders. Intelligent design is the deft counter move. It grabs many of ideological tenets of science and whips them back. All the intelligent design proponents want is for it to be taught alongside Darwin's theory. Or so they claim.

The genius of the tactic is the response it provoked. Rather then thinking rationally, the defenders of evolution knee jerked out a response, they where opposed to teaching intelligent design, only evolution should be taught in schools. An argument fit for an ideology, not a for the defending the tenets of the enlightenment. And in many ways science has of course become an ideology. There are the fundamental faiths, in the scientific method, in the accuracy of math, in our ability to predict the past. Most importantly though there is a priesthood, a set of insiders who the general public is expected to trust. Scientists themselves can challenge the dogma of scientific theories, although it takes great political skill to do so successfully. Most everyone else is expected to accept the word of science the same way a priest wants you to accept the word of god.

This isn't an argument against science, its a highly functional system, it builds its satellites and vaccines just as the Egyptians built their pyramids and the Catholic church its paintings and cathedrals. But science still can't tolerate anything that falls outside its doctrine of thinking, it's strength is how open it is to change, evolution is built into the system. But its only open to change mediated on its own terms and through its own system. Science like any other religion wants to force you into its way of thinking.

The latest maneuvers by the creationists, the intelligent design tactic, lay it all out bare in the open. The defenders of science are defending their faith, they want only evolution taught in school. I like evolution, as theories go its a damn good one with loads of secondary evidence backing it up. Proving any sort of historical theory seems damn near impossible though, so what's wrong with allowing a few more to be taught? I have no problems with "intelligent design" being taught in schools, although I certainly prefer a different sort of intelligent design... But if creationism is going to be taught it should be taught alongside evolution, and perhaps more importantly along side the various theories that most religions have used to make peace with evolution. Let them all stand side by side, call it survival of the fittest, is that something evolution's defenders should be afraid of?

In the Bubble (bottom up)

The Doors of Perception conference is perhaps one of the better named (and from a distance more fascinating) events out there. So perhaps its a bit of karmic balance that its director, John Thackara's latest book In the Bubble is so misleadingly titled. There is no dot com bubble in this book, nor any soapy stuff, merely one paragraph long anecdote that never quite relates to the book. Luckily the subtitle, "Designing in a Complex World" is spot on. Thackara's work and experience puts him in a highly privileged position to see what's going on in the design world and the book is something of his guided tour. It's a damn good walk.

I've got a sneaking suspicion that Thackara might be a fellow hypocritical luddite. He certainly has a healthy immunity to much of the high tech worship that strikes so much of the product and information design industry. Its not a traditional reactionary ludditism though, Thackara is concerned with design that works and works on a human scale. And much of the book is concerned with the navigating the multitude of contradictory challenges of "designing in a complex world".

The luddite movement predated Darwin's research and its somewhat unfortunate. The central symbolic act of the luddite, the throwing of shoes into the gears of the new machines is almost always seen as a reactionary act, but in fact it can just as well be seen as an evolutionary act. The luddites where in some ways the first hackers, when the machines where all in the hands of industrialists, gumming up the works was the only hack available, the only way to explore the mechanics. And more importantly to test the machines, break them apart with the goal of making them better. Like the luddites I have a deep fear of technology, particularly when its created for its own sake. But the hypocrisy emerges when a technology works, works well and most importantly works well for humans. This is the technology I love, embrace and sometimes propagate. And to get this sort of technology sometimes you need to throw some shoes in the works.

Design is a process of modulated hypocrisy. Thackara never reaches this conclusion, but he certainly illustrates in the course the books journey. The book is divided into ten thematic chapters, Lightness, Speed, Locality, Flow, etc, etc and, as fitting an exploration of complexity, they often contradict. The human mind of course is amazing at handling contradictions, to ignore the rules of logic is a fundamentally human act. In America liberals are pro abortion, anti death penalty, conservatives anti government, pro military industrial complex. Preachers make careers out of criticizing the very actions they discreetly carried out the night before. People argue for tougher criminal sentences and fight against building prisons near their homes, are militantly prorecyling until they found out it means building loud plants down the street, artists gentrify neighborhoods then fight the "yuppies" that they opened the doors for. Peruse any internet bulletin board and you'll inevitably find people typing messages telling other members to go outside and get away from the keyboard. And most telling people are happy to criticize others of hypocrisy, despite almost certainly being prone to it themselves.

A designer navigating a complex world inevitably needs to pick their focus, pick where their hypocrisy lies. Environmental architects rely on high speed computers filled with toxins to build zero emission buildings. Solar engineers suck massive power off the grid in an effort to build technology that ends it. The project needs to be bounded, a network can potentially, and often functionally does, stretch to infinity or fold recursively inward, fractal-like. If there is a designer, the designer is bounding the project, drawing lines and cutting off aspects to the network. The designer is applying directed energy, the product is not emerging, it is being designed.

In Thakara's "Mobility" section he cites a Swedish study of deliveries in Uppsala region. By optimizing delivery routes it seems "the results were startling" the vehicle fleet could shrink from 19 to 11, the total distance of delivery travel reduced by 39%, etc. Great for the environment, probably good for profit margins. But what about jobs, community and communication? Less delivery equals less work, and less networking. Community is in many ways an outgrowth of inefficiency, slowness advocated the chapter before, allows things to develop, conviviality (chapter 6) and locality (chapter 4). Both of which are probably served by more deliveries, done slower, with space for the idle chatter that lets information circulate across town, small ties to form and networks to grow.

Is it possible to address these contradictions continually? Humans it seems would rather just ignore them, our design choices perpetually solve certain problems and birth new ones behind them. And this is not necessarily bad, perhaps it's only human. Designers and the engineers, inventors and politicians who often play similar roles are in constant states of oscillation. Mass produced and cheap is in one day, handcrafted and intimate the next. A car plant is lauded for bringing jobs to the community and then five years later seen only as source of traffic and pollution. A freeway once liberated people, but now seems to destroy neighborhoods separating one side from another with a gulf far wider in effect then the block it occupies.

Thackara wanders the world where designers are questioning just where to bound their projects. He urges designers to expand their parameters, to think of broader connections and more locality, to watch energy flows and slow down. To design smarter but also go design free. "We are all designers" are his closing words, his books "premise" is "if we can design our way into difficulty, we can designer our way out". What is missing from it all is what design actually is. "Design is what people do" is the answer you can find on the first page, but that makes is pretty much everything human. And I'd actually agree, design can be everything humans do, but it can't be all of them at the same time. Rather design is the process of bounding and prioritizing around a particular set of focuses.

Most design decisions are directed actions that collapse our possibilities, guiding our focus. Often they open up new possibilities too, but only within a particular set of bounds. Picking up a hammer for instance reduces what our hand can do greatly. But it also opens up the possibility of driving in nails, breaking stone and shaping metal. This is a repeated cycle, collapse and release, a process that guides and sometimes directs us in actions. Thackara, along with other proponents of the 'design thinking' meme, wants to redesign design itself. And the book functions as a wonderful guide to the variety of potential spaces that design can enter. This is the back half of the pattern, the release. Design can be released into any number of spaces, but just how does one collapse them into a working process, a working product, not design thinking but a design itself?

The Long Tail (bottom up)

The latest and greatest bottom up hype is a concept called the Long Tail and its main booster is Wired magazine's editor-in-chief Chris Anderson. Following what's fast becoming bottom up proper protocol Chris has a blog and its devoted to turning the Long Tail into a book. He's a smart writer and its an interesting read as he knowledgeably tells tales from one could call the emerging networked culture. But something has always gritted on me and to understand just why its worth looking at far less digital topic, abortion in America.

The debate over abortion in the US is a strange sort of conflict. On one side you have "pro-life" and on the other side you have "pro-choice". No one its seems is anti anything. Barring perhaps the radical fringes, you don't find pro-choice protesters talking about how they want to deny women the right to make decisions, nor do you find pro-choice activists talking about how they want to kill babies. The two sides are locked in a deep conflict, but they aren't even arguing about the same thing! Or at least not over the same concepts, they are of course battling over the same action. And they are battling over how they want people, society as a whole even, to look at that particular action.

The concept of the Long Tail comes from a reading of another trendy idea in the world of technology intellectuals, the power law distribution. Power law curves show situations of profound inequality, most famously perhaps being Vilfredo Pareto's observation that 20% of all individuals in a society general control 80% of all the wealth. That was a century ago, and it still holds true. More to the point though, power laws have come into vogue and people are finding them everywhere, especially where networks are involved. The long tail refers to the "tail" of the curve, the 80% of the people making 20% of the money.

Now there is a hell of a lot going on in this area, and it makes Chris Anderson's site quite an interesting read as he details the ins and outs of the information and entertainment businesses reacting to the massive network that is the internet. But the long tail, is not a neutral description, rather much like the stances of both sides in the abortion debate it is a deep ideological one. Much the way the abortion warriors are fighting to control the terms of the debate, the long tail is about controlling what the power law distribution is about. "Pay no mind to the 20% with all the power, what's really interesting is what's happening over here under this long tail..."

There is a huge philosophical issue at stake for those who are best termed the technorati, the boosters of high tech and networks roughly clustered around Anderson's Wired Magazine. In this circle an awful lot of hope and thought has been invested in the idea that the internet and other 'open' networks are a democratizing force. The belief that this is true underlies the much of the moral framework that the technorati in. It gives them faith that they are doing the right thing. The discovery that networks tend to develop quickly into situations of inequality, situations that tend to map towards the very 80-20 power laws that characterize the vast inequalities of wealth and power the internet was supposed to route around, this discovery slices straight to heart of any faith in the democratic power of the internet.

In many ways the long tail resembles a classic magician's slight of hand. A big distraction to call one's attention away from the relevant actions. Suddenly power laws are not illustrations of inequity, but ways to call attention away from it. But its increasingly clear that internet is not a massive democratizing force, but rather a standard transition of power. Sure some of the classic late 20th century media powers might fall, there is way more TV to watch and blogs hit hard at the newspaper and magazine models. But rather then having the power law curves fade we just have new powerhouses moving in. Google, Microsoft, Yahoo, Amazon and the like. Its early on, expect new powers to arise and others to merger. But when the smoke has cleared who wants to bet that the top 20% are still making 80% of the money, the top 20% of sites grabbing 80% of the traffic?

Imagine a medieval lord showing off his serf's vegetables. Talking about how he's empowered them with growing opportunities. Its not then what you'll find on Chris Anderson's blog, except Anderson isn't the lord, just some servant nicely entrenched in the court. The long tail is cast as vast practice of empowering users, freeing them perhaps from the clutches of old media. But ultimately the site is not about freeing anyone, its about seducing and capturing those users, its about building new media kingdoms where the users trade amongst themselves while the technorati lords reap a tax off of every harvest.

Sometimes the tax straight monetary. Ebay is the classic example, like a casino they take a cut out of every transaction. And while Ebay might just be "empowering" thousands or millions of small business people, one wonders just how much more empowered the high ranking Ebay execs and investors are then the average Ebay seller? 80/20 maybe?

Often though "long tail" business is more about information and Anderson stresses the importance of filtering to these businesses, which is spot on. But what he misses is just how asymmetrical the filtering is. Businesses like Amazon, Yahoo and Google filter massive information and then send it back to their users. But they also keep large amounts of the information for themselves and their business partners. Sure they'll give you a slice of what you have, a chance to till some of their information, but in the end they are the lords of their domains, opening what they please (and what benifits them) to the long tail.

I'm pretty certain Anderson and most of his fellow network/technology boosters are not concious of the fact, but there is a strong undercurrent of a power grab to their beliefs. The rhetoric speaks of democratic revolutions that empower everyone, but the reality is that its about empowering a particular set of people. The ability of the internet and its related technologies to upset certain industries, communications systems and political structures is becoming more documented fact and less theory, Anderson's site is great at illustrating some of this pattern. But the particulars of who gains, and more importantly who does not, are far less commented upon.

Does networked technology benefit everyone? Or does it benifit only those who have the access, knowledge and will to use it?

Bottomed Up

"Bottom up", if there is one intellectual theme to this moment in time, buttom up it is. The Wired magazine hyper-capitalists chew it up, as do the neomarxist empire theorists. In science it takes the form of complexity theory and its more pop predecessor chaos theory. In politics its Howard Dean, MoveOn and Michael Moore, but more importantly John Kerry and the Democratic powerbase got hip to the kool aid quick and stole as many of the techniques as they could. In the media its weblogs and "long tails". On Wall Street and in neoclassical economics its about markets and believing in them. A lot of motherfuckers talking about "bottom up" thinking, as opposed to top down of course.

This post is likely the first in a series, I kept on reading books that begged to be tied together in a "buttom up" post, but it soon became clear there where far to many books, the post would need to become posts. Is that a top down decision, me deciding to break up the posts into sections, or is a bottom up decision, the multiplication of books forced me to change tactics? Or maybe, just maybe its sort of dumb to try and look at everything that way...

I'm not sure where the concept and phrase first emerged, but I'm guessing politics or management theory. In these contexts, in places where formal organizational hierarchies are the norm, it actually makes sense. A top down decision comes from the top of the hierarchy, and bottom up emerges from the "workers", from the depths of collective action.

The party line is that bottom up is good, top down is bad. Freedom versus control, collective intelligence versus ego driven power moves, markets versus central planning, linux versus microsoft. The reality is that it makes no sense. Bottom up is a catch phrase for a half formed idea. You can find the idea fully formed in a multitude of manifestations, and they ain't all good, and they sure as hell are not all the same either.

The plan then, the maneuver, is to bob, weave and parse through the bottom up landscape and emerge with some genuinely useful concepts, stay tuned and we'll see how it goes...

Wearable Relations

A performer sits on stage or at least in focus, generally, perhaps always, they are female. Traditionally in a dress. There is a pair of scissors in front. The audience is invited to come up and cut away a piece of clothing, one by one.

Yoko Ono created the source code in 1964 and first performed it in Tokyo that year. The tone apparently was violent and angry. Performed in NY, 2005, by Xaviera Simmons, the violence of the act, the cut, remained, but tension was the dominate feeling. To me the piece works primarily as a relational aesthetic. What makes it interesting is watching the audience, who cuts next, and how? Does someone move, break the silence, or do we all just sit? How do they cut and who are they anyway?

Then again I've always preferred audiences to stages, very few performers have what it takes to fill the absurd amount of time given to them in our culture, despite what their egos might say. The audience with its multitudes offers a far more interesting view, to me at least. Watching the cut piece being watched made it clear that most audiences, even in the art world, are far more comfortable looking at a stage (with next to nothing going on!) then looking at themselves. Well its either the look at the stage, or enter into "subway mode", the blank looking at nothing glaze that constitutes urban travel for millions. Looking at other people is of course dangerous, it might spark a fight, or worse yet a conversation, an insight or a new piece of knowledge.

Of course Ono's piece still works as a staged focus, the issues it addresses, the relationship of audience and performer, clothing and human, violence and invitation, have shifted little in four decades. Uptown at the Cooper Hewitt is an exhibition Extreme Textiles, and one wonders just how much more extreme Ono's dress is then those on display there.

Fittingly of all one name sections, "stronger, lighter, faster, smarter, safer", "smarter" proved to be the least intelligent. The industrial revolution did not lead to clothes with machines in them (the zipper being the simple exception), is there any reason to think the computational era will lead to clothes with computers in them? Then again one of the traditional functions of clothes is to broadcast identity, perhaps that is where the "wearable computing" comes in? Somehow the webbed suits that turn humans into high rent flying squirrels seem to say more about the wearer, but not perhaps as much as Ono's scissors.

Minor League Charm

The minor league baseball stadiums might just be the last institution where 'American' and 'charm' still walk together. And that's probably why Willie Nelson and Bob Dylan's summer tour only plays minor league ballparks. I suspect with some Clear Channel promotion behind them they could easily sell out Giant's Stadium and its ilk, but god what an awful set of venues to play, listen too and see music. Instead they can't even sell out Dodd Stadium, home of the Norwich Navigators, and that's good old American charm. No worries, head up on Friday and not only can you watch the Navigator's play the Portland Sea Dogs, but you can also get a free Groucho Marx Nose n Glasses!

I-95 chewed up the oppurtunity to meet with Mr. Nelson, but squeezing next to the soundboard and watching him play in profile 10 feet away pretty much made up for that. Who else can take the stage in New Balance sneaks and still claim to be a pure entertainer. Willie loves the crowd, gives them what they want, shining, pure American charm. A throwback to when country music meant smoking joints on the White House roof and not paying taxes, not soft rock for xenophobes.

I don't think anyone in their right mind ever accused Dylan of being a performer. He makes music, any performance that emerges is purely accidental. I think he plays minor league parks to escape from the hype machine that wants to eat him up, and even then he apparently doesn't leave is darth vader black bus. The air conditioning never goes on, which must let Dylan experience the world in what seems to be his favorite manor, eavesdropping.

On stage Dylan has little presence other then that residue of celebrity he's so desperately tried to shake off. He barely left his post behind the electic organ, the guitar left to other hands. Doesn't much matter where you are on stage though with a voice like Dylan's. Out on the grass of a minor league ballclub you might think it's aged into some bonerattling perfection, he sound's like an alien telling tales of an earth he see's like no one else, unable to relate, but clearly able to communicate.

Out on the Norwich strip, or on its dying New England mill town main street, that voice seems more like a classic rock merger and aquisition, Dylan plus Tom Waits, dinosaur style. The minor league ballpark keeps its charm while main street fades because the minor league park is part of a larger machine, a feeder toward the big league hype machine. Down in Double AA baseball is still about dreams, kids who dream of making the majors, journeymen who still are happy they get paid to play baseball, these towns aren't big enough for major league egos, although the Navigators seem to have as many luxury boxes as Shea or Yankee stadium despite being drastically smaller/more intimate. Even the ads in the stadium have a bit of charm left, like the local plumbing company bought them to impress their old high school friends and maybe get some business, rather then as part of their international marketing scheme. Sure the players are all dreaming of the world series one day, but down in Double AA globalization is still a big city thing. As long as the local Wal-Mart hasn't bought any ads that is, and I think they are too cheap and ubiquitous for that...

Hans Ulrich Obrist

I first caught trace of Hans Ulrich Obrist via Bruce Mau's "Incomplete Manifesto for Growth". I'm not much of a fan for manifestos and Mau's was as bland, obvious and self serving as most of his work (and please note that's not entirely a criticism). One item glared out though, number 39 "Coffee breaks, cab rides, green rooms".

Hans Ulrich Obrist once organized a science and art conference with all of the infrastructure of a conference — the parties, chats, lunches, airport arrivals — but with no actual conference. Apparently it was hugely successful and spawned many ongoing collaborations.

It was one of those things that just gets lodged in the periphery, an idea that never quite escaped my mind, but never quite got put into focus either. A few times a year I'd reference it in a conversation, think about it in a plan, make sure it never quite disappeared from thought. A month or so back it surfaced in text, in a paper, I did a bit more research.

There is very little documentation at all on the "green room" conference, at least that I could find. It was entitled something like "Art and Brain" and Obrist claims it was successful.

No matter though, the import bit was stumbling on Obrist's massive book of interviews. Weighing in at nearly 1000 pages, but in terms of content it's far denser then even that implies. Since 1993 Obrist has been interviewing as many interesting people as he can come across. And as a young hustling art curator its a fuck of a lot of people. It reads like an encyclopedia of the contemporary art world, high concept division. Artists and architects, philosophers and scientists. Its a joyous little tome and it might just be the best guidebook to the state of aesthetic thought, circa the new millenium. Highly recommended.

TV Makes You?

I'm never believed that television makes you dumb, and I suppose that means I'm outside of the target audience for Steven Johnson's Everything Bad Is Good for You: How Today's Popular Culture Is Actually Making Us Smarter. And indeed, this is actually not a reaction to the book, but a reaction to his talk , his NYT Magazine article and the various other media floating around the book launch. If you want the hollywood version of this reaction, lets just say seeing Johnson talk did not make me want to buy the book...

I've never bought the television makes you dumb argument, because I've never seen any evidence about, just knee jerk reactions. Johnson to his credit never falls into this trap, he's got a load of charts and figures to push his point. And indeed he's got a load of evidence that television plots are far more complex then they where 20 or 30 years ago. But does all this make us smarter? Shit, we are back to that same no evidence situation that the tv=dumb have, aren't we. What Johnson has is not evidence that we are smarter, but evidence that people are better at watching TV then they used to be.

So we can watch more complicated TV shows, big fucking deal. It's not that surprising given that most people in America have grown up with TV, the screens are bigger, the audio better, there are no more rabbit years to adjust, the reception is almost always flawless, the competition higher, etc, etc. If we weren't watching more complex TV shows something would be wrong. But is there any proven cause and effect between complex TV show viewing and intelligence? Well that's a bit too much to prove in a polemic isn't it?

Ultimately metricizing intelligence is an unsolved and perhaps unsolvable task. Johnson seems to make an assumption that very specific instances of increased complexity translate into a broader intelligence, which strikes me as a wrong approach. And if my memory of the talk is right he also makes claims that the sort of thinking watching complex tv requires is the same as what makes us do well on certain tests. Which doesn't solve much, the ability of test scores to measure anything but an ability to do well on a particular type of test is a wide open question.

Stripped of the "smarter/dumber" argument I think Johnson touches on something very interesting, the vector of transformation in television. But ironically much like the cultural critics who the book is written in opposition to, there is a huge disconnect in between the analysis of what happens on TV and what happens to people. Without causality, all we have is vacant speculation...

Google

Been meening to return to the issue of Google and write something proper up. But before we drop the written, consider this something of the freestyle, emerged off the dome in an email exchange with T van Veen and Wayne Marshall on the subject of this particular propaganda.

Google:

1- There is nothing democratic about google, yes they provide information freely, but they take in radically more info then they give out. For instance each time you search they get more info, about what people are searching for, about what you (as a cookie) like to search for, which link results you click, which ads, etc. In exchange for all this data they give you back stuff they already know. All the relational stuff they keep for themselves and maybe their big advertisers. Its a completely asynchronous relationship. Google is a black box, you can only get out of it what they let out, they don't even provide a public way to get in touch with any human at the company..

2- There are only 3 search engines of note, Google, Yahoo, and MSN, all the other big ones use services from one of the three. The necessary capital to create new one is extraordinary over a year ago the NYT claimed Google had 100,000 servers running...

3- If you don't show up in a web search you barely exist online. People have an extremely limited capacity to remember addresses, bookmarks, links on their friends pages, memory. Everything else they go to google, which essentially defines the global web. Everyone has a small local web, cool. But if you are trying to communicate to a broader audience you need to leave your local web, and without the search engines you are pretty much fucked, they can sensor your info. Not completely, but enough marginalize you. Similarly the way they rank sites can radically alter traffic patterns, they claim the ranking is purely an algorithm, but its always shifting and could easily be politicized.

4- Google is a private company. Technically they are publicly traded, but the stock is structured so that only the holders of preferred shares have any say over the companies actions. Shareholder activism is a bit of a joke ala Nader, but its sure beats nothing, and occasionally is even effective. Google is structured to make this impossible, so is the NYT for that matter, but very few companies are. There is zero public accountability in Google's world. They say 'don't be evil' and we have to trust them. So far they seem pretty cool, they run porn ads but not gun ads for instance. But they've also rolled over every time a large entity sues them, ie the Scientologists and the French government. What happens when the NSA knocks on their door? Come to think of it, have they ever denied sharing info with the NSA, FBI, Homeland Security, etc...

5- Until Orkut and Gmail Google never knew your name. Not anymore.. The original Gmail terms of service even gave them the right to archive emails that you delete from you Gmail account. The only thing preventing them from reading these emails is that TOS agreement that splashed across your screen as a digital file a while back..

6- The issue isn't really what Google has done, but what they have the potential of doing.

Games & Intensity

Games & Intensity (.pdf)

Blink

Malcolm Gladwell probably considers himself a "journalist" or just "writer", but I'm more inclined to view him as something of a prosumer philosopher. Even more then his first hit, The Tipping Point his new work, Blink is a book about a concept. And if one is to believe Gilles Deleuze (as I seem to be inclined to do perhaps a bit too frequently) then the creation of concepts is exactly what a philosopher does. And while Gladwell gives no indication he has even heard of Deleuze, the core concept of Blink is a subject dear to the late philosopher's heart, the space in the human mind where rational thought fails to enter, where discourse collapses into a univocality, where instinct and thinking are one and the same.

Gladwell interestingly puts forth what is essentially an argument for nonrationalism using hard rationalist techniques. A repeated theme of the book is the "thin slice". The thin slice is essentially a period of time where decisions are made so quickly that they can not be rationally thought through. The core concept of the book is that these thin slices or blinks are extremely powerful, capable of producing decisions that sometimes brilliant and at other times devastatingly wrong. Like Deleuze places these nonrationalist decisions at the core of human experience. But by relying extensively on the slice, the rationalist/analytical operation of breaking apart a problem into component parts in order to understand it, Gladwell ends up with a somewhat more limited concept then Deleuze. Gladwell is only really able to reach this very interesting space by breaking apart actions rationally until they no longer can be broken apart. Hence the focus on the "blink" the split second decision. What he misses is that these blinks can be extraordinarily long, lasting perhaps entire lifetimes.

The conclusion of Blink is about the use of screens in auditioning of orchestra members. Before the widespread use of these screens, which hide the players from the people making hiring decisions, there where very few women in professional orchestras. Once the screens became widespread an interesting thing happened, the number of women hired increase radically. Gladwell's argument is that the screen's allowed the decision makers to "blink" properly, making choices based on the music alone, not how the players looked. But what he misses is that the inbred discrimination at work, biases against women or minority musicians are also blinks, but blinks that happen to last years or decades.

Within those thin slices, Blink is an excellent book, a well written and entertaining exploration of a concept. If it approaches the success of The Tipping Point Gladwell will be in the position of America's most popular philosopher, most popular producer of concepts, without ever acknowledging and most likely personally accepting that he's even engaged in philosophy at all. But as large swathes of academia continues to ensnare themselves in a variety of traps of their own devising, hard rationalism, marxist dialectics, poststructuralism and the like, it is the popular producers of concepts that are filling the role of philosophers in our society. Like the high end consumer electronics I've named them after these prosumer philosophers are giving the public high quality intellectual products unburdened by the weight of professionalism (although this is not true when it comes to the art of writing). There is of course a lot to be lost in this transition, the intellectual rigor of the prosumer is non-existant compared to academia, but its also a profoundly liberating experience as the playing field of culture and concept shifts into new grounds. More soon, hopefully.

Lessig/Tweedy/Johnson

A couple days ago the New York Public Library (as in the big one guarded by lions) asked Who Owns Culture? and called in Lawrence Lessig, Jeff Tweedy and Steven Johnson to navigate. Actually the real question getting asked seemed to be "Who Makes Culture?" And the answer it seemed was "us". Whether the us was the three people on stage, the lily white crowd or something larger was utterly unclear. Ultimately though what made the event interesting though was not the questions that where asked but those that were not.

Only the a few years ago the fact that our current system of intellectual property is rift with problems, dangers and tragedies was radical, the "copyright is good for creators, no questions" Kool Aid was being served nearly universally. Mentioning the deep problems in the system was akin to unleashing the hounds, all too often I'd watch as otherwise intelligent humans turned into rabid hard copyright defenders. Thanks in large part by Lessig this is no longer the case. In fact not a single questioner in the room ever stood up the challenge the panelists. The besuited middle age lawyer looking men to my right nodded and smiled repeatedly to Lessig's arguments. It was a friendly crowd admittedly, but also one of privilege, people with something to gain from keeping things the way they are. And Lessig's "free culture" arguments pretty much where accepted as common truth, at least among those who listen to too much NPR.. Now Lessig of course represents the mainstream compromise side of the anti-copyright warriors, but at least culturally he's looking like a winning general nowadays.

The Database Avant-Garde

Talk about flattering, Steven Johnson responds to my review of Interface Culture, taking minor issue with my characterization that there hasn't been a real emergence of an "interface avant-garde". And using his broad definition of the term "interface" he's clearly right.

If one is ooking at interface mainly from the perspective of information, as Johnson does, the broad definition is probably the best approach, if a bit confusing. If however we look at it from the perspective of the computer as a medium, I think a further articulation is warranted. Here we can use interface in its more traditional sense, as the inputs and outputs. In addition to interface we also have the database and the algorithm.

Now if we look on this level we can see that Johnson's examples of new interfaces for information (Google, Technorati, del.icio.us) actually are actually all actions on the database. The big exception is Google which has radically innovated on both the database and also on the algorithm. What we are seeing is not as much the formation of an interface avant-garde but more a database avant-garde. It all adds up to better access to information, improvements to Johnson's broad interface, but all done with out anything but minor improvements to the more traditional interface (which it should be noted is far larger then just the GUI). We may be interfacing better with our information, thanks mainly to our better databases, but the interfaces to our machines continue to limp along..

Interface Culture

Interface Culture might just be Steven Johnson's most important book, but at the same time its probably his least read, and deservedly so. This is a less a book that was written before its time and more of a book that was written too soon. If one could extract an algorithm that Johnson used to generate the book in 1997 and run it today the result would be markedly better.

Johnson's core argument is simple, interface is important and needs to be understood. As simple as it sounds, its never quite been articulated properly, we still lack a language to properly address interface. Johnson comes the closest of anyone in this book, but ultimately he's betrayed by his examples, which are more rotted then dated. The materials to properly write this book just where not around in 1997 and it suffers. Johnson also has a problem I wish a lot more of us had, he writes too well. The prose is so efficiently polished it leaves on craving a clunky paragraph or two simply to break the pace and create a space to actually think about what he's written.

Wrapping up his little breakneck ride, Johnson calls out for the creation of an interface avant garde, a subculture of radical interface designers. Since the books publication there have been numerous moves in this direction, but I'm unsure if any have actually gelled into real form. Flash designers circa 2000, skinners, game modders, they are more like microcultures of interface, never quite reaching the mass and velocity necessary to self-replicate into full fledged subcultures.

The one group that has emerged is the information architect/interaction/experience designer, a set that seemingly seeks obscurity through a constant renaming process. There is no question though this is a subculture, and they tend to focus on a space Johnson quite accurately brought to the for, text as interface. But as an "interface subculture" I find them rather lacking. In Language of New Media Lev Manovich postulates that a core task of new media is the creation of interfaces for databases. And it seems to me much of what the information architects are doing is prepping the database for future interfaces. There is of course a degree of interface innovation going on, but its yet to reach any level fitting of the "avant garde". But much like the shortcomings of Interface Culture in many ways this comes from a lacking in the contemporary database, not from a lack of concepts.

Manovich's book is in many ways a better starting point then Johnson's although they are quite complementary. Manovich devotes quite a lot of space to interface, but essentially stops right where Johnson starts, focusing on the screen as interface through history. Neither break very far from the screen either, interface clearly needs a dose of physical computing. And the tools for analysis of computing culture are still being built, beyond the interface and database lies algorithm (anyone know a good book here?), protocol and beyond..

Hypocritical Ludditism (prelude)

If you think you see a contradiction of sorts in my last two posts, well.. yes and no. What it really is is an example of what I call hypocritical ludditism, something that slowly seems to be evolving into a personal philosophy of mine. Not quite sure I'm ready to write about it, but both hypocrisy and ludditism get a pretty bad rap in today's culture, and I'm ready to celebrate them both..

Black Box Ubiquity (first draft)

For thirty years most interface design, and most computer design, has been headed down the path of the "dramatic" machine. Its highest ideal is to make a computer so exciting, so wonderful, so interesting, that we never want to be without it. A less-traveled path I call the "invisible"; its highest ideal is to make a computer so imbedded, so fitting, so natural, that we use it without even thinking about it. (I have also called this notion "Ubiquitous Computing", and have placed its origins in post-modernism.) I believe that in the next twenty years the second path will come to dominate.

- Mark Weiser of Xerox PARC, 1994 (emphasis added)

I've always had an uneasy disinterest in the concept of "ubiquitous computing", the idea that computerized electronics should be in the woodwork, working invisibly to serve humanity. A thought that would seem laughable to me if it wasn't so viscerally disturbing. Its a mediated disturbance, cut quickly away by an inability for me to quite conceptualize how the chunky frailty of today's electronics can translate into "invisible" machines that actually keep working. But the fact is that batteries are slowly improving, components shrinking, and there might actually be people fighting against the seemingly planned obsolescence of so many electronics and trying to make genuinely tough electronics. And I'd rather not laugh at something that might just be laughing back at me, so I'm going to take ubiquitous computing seriously for a bit.

The literature of ubiquitous computing is filled with allusions to "enhancing people's lives", empowering humans and the like. Funnily enough though if one browses the websites of Ubicomp conferences, where most of the action in the field seems to take place, what do you see? From year one corporate logos grace the splash page, and indeed other then bad design they seem to be the most ubiquitous element to the sites. (I must say I rather like the design of the 2005 site) If you can find a human face at all, you'll likely be three levels in already. All this of course begs the question: "just who does ubiquitous computing empower?"

While ubiquitous computing certainly has the potential to empower people, and in certain situations I'm sure it will, ultimately the main empowerment is to those who make the technology. The move towards an invisible technology is another step in the long process of "black boxing" technology, the process striation, the process of building walls around technology that separate the creators and controllers from the rest of the world. There is nothing new about this process, from the medieval church cloistering away its books to telegraph operators chatting amongst themselves while the rest of the world waited for the newspapers to get printed, there are a multitude of examples, some benign, others not.

In contemporary computer culture black boxing is deeply encoded throughout many layers. Think of a corporate office. Physically servers are locked inside rooms, while the technicians in charge of them run small fiefdoms that tend to be unwelcome to outsiders. The computers are a territory open only to those that understand. The technicians will venture out, installing and fixing computers, but few ever are invited in to their all too frequently windowless offices. What good would it do, they wouldn't know what to do with the technology anyway. The same process repeats inside the tech itself, a systems administrator often has full access, if they can't see everyone's files at least they can delete them. They control what sort of data passes into and out of the network and where. Sites can be blocked, ports turned off, words sensored, emails amended. The computer systems are their locus of control and they keep it that way. Their power might be modulated by the accountants, influenced by marketing and sales and manipulated by anyone with enough social skills, but ultimately they run the computers and thus stay empowered.

Perhaps more interesting is the way black boxing works on the layer of the computer itself. There a tension emerges in the workings of a black box. Power is never removed as an issue, but here it begins to flow in multiple directions. The operating system is a black box that hides the inner workings of the machine but at the same time empowers people to use a device they never would have before. Usability and design come into play. The graphical user interface might hide the operating system from the users, but it also enables users. It is important to note that the act of obscuring the inner workings and the act of increasing usability are not necessarily rigidly linked, they are the actions of two independent but interlinked and interacting forces. At least in theory there is no reason one can not simultaneously make a computer both easy to use and technologically transparent. However in practice it seems that increased usability tends to go hand in hand with an increase of opaqueness or hiding of the lower level workings.

It is tempting to look at ubiquitous computing as a similar trade off, the technology gets hidden, made invisible, made harder for the outside to enter and learn, but at the same time becomes radically easier to use, to the point where its so usable its unnoticeable. And there may well times when its true, but (and I can not stress this enough, this is a very dangerous construction and thus should be avoided if at all possible. For one thing it is inaccurate, since the act of hiding and the act of increasing usability are the products of two separate, but often interacting, forces one can not just assume you get one with the other. More importantly though this thinking, of pushing towards "invisible" computing in exchange for "calm" or usability is something of a trojan horse. If technology actually succeeds in becoming invisible it essentially becomes beyond social control and power shifts radically towards those that control the tech.

The layer of critique that does exist in the ubiquitous computing space tends to focus on surveillance, the ability of invisible tech to watch over us. This is of course a very real threat, but it is also in many ways a red herring. While surveillance might be disturbing it is also in many ways benign, it is an abstracted danger, one that only can affect us when actualized by being transformed into a physical action by something reacting to the surveillance. Invisible computing is ideal for surveillance, but also has the potential to be far more dangerous on a very real and physical level. Like many technologies ubiquitous computing is capable of murder. And not just any murder but invisible murder.

The "dramatic" computing that Weiser talks about in the opening quote is constantly calling attention to itself. And as such it's constantly integrating itself into society. No matter how loud or obnoxious it might be it is socially regulated. When computing reaches ubiquity, by definition it leaves the social space. It can only be accessed through abstract knowledge, if it is invisible, if its not calling attention to itself, then we can't know its there through our physical senses but only through our knowledge. And if our knowledge is regulated somehow, we lose our ability to engage the technology on a social level. And just how are we supposed to obtain knowledge of all the invisible things around us? The process shifts power dramatically, towards those who can regulate our knowledge of invisible, and perhaps more importantly to those who can access these invisible objects.

As long as the objects remain benign as the push towards ubiquity pushes onward, it becomes difficult modulate the threats with the potential of the technology. In this regard the human centric push of ubiquitous computing proponents is the ultimate trojan horse. They sell us something to enhance human experience, but in the process push technology to the point where we can't even see it operate. And if it gets there, then what?

note: I somehow never quite referenced her in the piece but Anne Galloway deserves a special shout out here as she's been looking critically at ubiquitous computing for quite a while, and with far more subtlety and rigor then you'll find in the above piece.

Confidence Games

Mark C. Taylor's Confidence Games : Money and Markets in a World without Redemption chops broadly and ambitiously across the worlds of economics, religion, art, and philosophy at breakneck speed. Taylor is shockingly lucid for an academic writer, and clearly both and intelligent reader and gifted storyteller. All of which almost hides the severe lack of depth behind the vast facade constructed in Confidence Games. Indeed the real con game might just be the book, although its not quite clear if its the author or the reader getting conned in the end. And either way its a pretty enjoyable ride..

Halfway through I was marveling at how well read Taylor was. By the end though I was marveling at how well he managed to splice together the last eight random books he read. I found myself repeatedly flipping back to the index hunting for various authors that could have dramatically improved book, or rendered large sections somewhat superfluous. Manuel Castells and Philip Mirowski in particular would have done wonders towards fleshing out his attempt to capture the networked economy. Delanda, Latour and Deleuze all would have helped him as well.

The one flip to the back that actually yielded results is perhaps the most telling. Robert Nelson's Economics as Religion is in many ways the perfect inversion of this book. Taylor is a theologian attempting to cast economics as religion. Nelson is an economist attempting to do the same. Taylor runs rampant yet deftly across the intellectual spectrum while Nelson delves deeply if not always with nuance. Despite the fact that Nelson is making essentially the same argument as him, Taylor shoves his one reference to him into a footnote. While Taylor is probably correct about Nelson's "unsophisticated understanding of religion", one wonders if Taylor ever considered he might be making similar mistakes in his foray into economics.

Taylor throws one more jab at Nelson when he states that "he does not even seem to have heard of postmodernism". By the end of Confidence Games though one might wish that it was Taylor who never head of postmoderism. Taylor is one of the rare authors to actually use the close to meaningless term as something other then an easy way to dismiss 30 years of theory they haven't actually read. Instead he uses his limited embrace of "postmodernism" to hide the fact that he's hasn't actually read any theory from the past 20 years.

What he has read is Venturi, Baudrilliard and Derrida, and what its left him with is a vision of a world completely constructed of signs. His solution to this absurd vision is a retreat to Hegel (someone page Zizek!). I suspect this is far better detailed in some of his other books, but Taylor's solution is a Hegelian dialectic with the synthesis aspect stripped out. Instead multiple "dialectics" phase in and out of prominence without disappearing, which to me sounds a lot like a Hegelian dialectic with the dialectic stripped out, leaving only a surface reference to Hegel. This might pass muster in Taylor's sign world but to me sounds pretty meaningless..

Thankfully Taylor keeps this personal philosophy to a minimum, and fills the book up with loads of his enjoyable prose. He's at his strongest unsurprisingly when he can pull his religious studies background into play and when telling someone else's story, from Luther and Calvin's relationship to business through the religious roots of Adam Smith and into world of daytraders and derivatives, Taylor narrates it well and drops in an occasional insight. Take it out of an academic context and place it into the world of popular non fiction and it stands up quite nicely.

Single, Song, Mix, Welcome to the Curatorial Era

2004 was another step in the long slow death of the album, a process that started with the invention of the CD. It wasn't an awful year for music, yet there wasn't a single classic album produced. But how many musicians can make 70 minutes of flawless music? It happens yes, but radically less frequently then classic 40 minute LPs got dropped. Its not pure math either, it might just be that the break, the physical and psychological space created by flipping the vinyl, is as important as the problem of filling 70 whole minutes. There are still occasional albums better enjoyed as a unit then a collection of songs, but iTunes sure helps to edit them, doesn't it?

If the album is close to dead, its perhaps time to redefine those units we address our music. The old single versus album dichotomy has actually been dying even longer, at least since the advent of AOR (Album Orient Rock) radio. Album tracks have been slipping into the singles category for quite a while, but now in the P2P-iTunes-mix cd-mash up era the song now reigns supreme and I think we need a bit more distinction.

The single is far from dead but it's not exactly tied to a discreet physical or economic unit. Perhaps instead it's best looked at as something still economic, but far broader, as a song with a promotional machine behind it. Or more often more then one promotional machines. Record label promo departments, PR agencies, radio payola, DJ pressure, mixtape exclusives, advertising exposure. The promotional machine can occasionally rise organically, as a multiplicity, through pure demand and repeated pumping from car stereos (the real American pirate radio). Generally however a song becomes a single via the strategic and skillful use of capital, the skill set that keeps record labels afloat in the peer to peer waters of the 21st.

A proper single soon becomes broadcast across enough networks, airwaves and channels that it enters the mass unconscious. It exists not as discreet occurrence, but as a rhythm, and repetition, a virus even, a sonic that can only be avoid through active effort. It exists in a completely different social space from the average song. A song stays discreet, it generally takes action on the listener's part to here the average song. They need to hunt it on Soulseek or buy it off iTunes, then manually insert it into their sonic rotational medium of choice. The song is more or less a deliberate consumption, although there is a complex micropolitics and microeconomy of songs in which they can take on certain elements of a single within localized contexts. For instance a song played everyday in your local coffee shop or in on endless repeat by your next door neighbor is as potentially infectious or noxious as the latest Ashlee Simpson single. For the purposes of the single versus song distinction then its important to note that a single must achieve a degree of broadcast over a relatively broad space with a decent amount of speed. In other words it needs to propagate over networks.

The rise of the song though does not mean that long form music is necessarily dead. Rather it can no longer be defined by the constraints of the physical media that holds it. One format that has been lurking in the underground for decades, the live concert recording, is a good example. Here clearly the defining form is the performer and the time of the recording. Far more interesting to me though is the DJ mix. Just as DJ's kept the vinyl record vital far longer then might have been expected, it looks as if they might keep the CD vital far beyond its initial uses as well. And while musicians can rarely fill the 70 minutes of a CD without large dose of filler, DJs can bless those 70 minutes with relative ease.

For a year or two in the late 90's DJ's made serious claims to being musicians. And there are a few "turntablists" worthy of that name. But increasingly DJs are looking more like curators and becoming all that more important in the process. The curator essentially engages in an act of filtration as well as an act of recombination. While the recombination must be done well, its the filtration that is truly valuable in an age of rapidly increasing information. A good DJ, or mix creator of any name is a star if they can give you the great shit without making you work for it. Maybe they dig in the crates, maybe they hustle artists for exclusives. Maybe they listen to everything, maybe they just know how to get the hot artist in the studio and let them freestyle. Maybe they lay old beats under new vocals, maybe they just know the sequence that makes it all sound better. Regardless in the past couple years the mix and the mixtape have become essential. A DJ Kast One dancehall mix every few months keeps me as up to date as I want to be. A reggaeton mix, a little OPP (other people's playlists), a frantic cut up of the history of cut ups, an occasional dose of the woozy slowed down Houston freestyle rap. I probably invested less energy into finding new music this year then I have in a decade, and I probably heard more then I ever have. This the curatorial era and I think I'm ready.

History's Actors

In the summer of 2002, after I had written an article in Esquire that the White House didn't like about Bush's former communications director, Karen Hughes, I had a meeting with a senior adviser to Bush. He expressed the White House's displeasure, and then he told me something that at the time I didn't fully comprehend -- but which I now believe gets to the very heart of the Bush presidency.

The aide said that guys like me were ''in what we call the reality-based community,'' which he defined as people who ''believe that solutions emerge from your judicious study of discernible reality.'' I nodded and murmured something about enlightenment principles and empiricism. He cut me off. ''That's not the way the world really works anymore,'' he continued. ''We're an empire now, and when we act, we create our own reality. And while you're studying that reality -- judiciously, as you will -- we'll act again, creating other new realities, which you can study too, and that's how things will sort out. We're history's actors . . . and you, all of you, will be left to just study what we do.''

- Ron Suskind "Without a Doubt"

That all dropped in the NY Times Magazine a few weeks before the election, caused a bit of blognoise and has been reduced to a soundbite. A soundbite by which the American left tries to feel superior those that are now cracking political whips across their backs. But the truth is that this unnamed "senior adviser" (Rove?) gives perhaps the best explanation yet of why the Republican's won this election. And it brings back too me with full force just how much I disagree with much of the left, despite my frequent tactical alignment
with them.

The truth is the American left is in many ways as conservative (if not more so) then the right. While I may align with them in opposition to baby fascisms and banana republic stylistics of the current Republican party, in the end I have a hard time seeing anything but reactionaries and utopians out there struggling with me. There are exceptions of course, but the fact that so many on the left are completely incapable of understanding just how much of "reality" is constructed out of human faith, belief and stubbornness, is absurd. I'm now left in fear that their faith in an unmutable reality amounts to something close to a surrender towards the propaganda mills of Karl Rove and the Christian right.

Compounding it all in frustration is the fact that Rove and company borrow freely from the Hollywood/Madison Avenue terrain dominated by core cultural leftists. They dominate the non political storytelling of our age, yet fall utterly flat when it comes to the construction of the political narrative. Why? Perhaps they know too well how potent their magic is, and refuse embrace the black arts the GOP embrace so readily (cue the Swift Boat ads for reference).

I wonder how much this difference stems from the urban vs. rural/suburban divide that seems so clear in the past election. Perhaps urban space is so overloaded with conflicting constructions of reality that the population becomes immune, and sees only the concrete. Meanwhile out in horizontal, the low-flow, low-density, landscape the evangelicals and friends are busy building new realities just like any other religion of the past milleniums. And here in the cities my compatriots it seems don't quite know what hit them. The reality based community has yet to wake up to the reality of faith, have they?

Calm Technology

Calm technology. What an odd concept they pitch. Calm technology essentially comes into being via the act of frantic listening to its environment. Can a technology really be calm while its insides are stuck in an infinite loop, churning code, waiting for the moment to "calmly" react to the outside world?

RNC vs NYC

Some notes from the Republican National Convention and the streets of New York. If all goes as planned a more essayish thing to follow...

- New York is just to big for these things to impact for real. Neither the RNC nor the protesters have the numbers to make more than a half skip in the patterns of the city that never sleeps. It now seems laughable that people actually bothered to leave town over this. None of this however is relevant to the unlucky few who happened to be at the precisely wrong spot as the NYP broke out the orange security fences trapping and arresting like deep sea fishermen.

- the police have fine tuned the art of using the physical form of the city against protesters. 1 city block + 100 cops on scooters and motorcycles = a mobile holding pen. The protests are divided and dispersed before they can even truly form. It takes active hard work to find an active protest. At the moment it seems the action is at 100 Center Street.

- the sms channels are marvelous sources of tactical news. Let us hope they refine further. The fact that police can listen in and in some cases post makes for a fascinating experiment in open systems. As a historical note, I first noticed these tactics in action during the post 9-11 Davos Economic Summit, held here in NY.

- many of the police seem to be without gasmasks of any kind. A clear indication they have dropped tear gas as a tactic. One wonders if the cops will soon be the ones getting tear gassed? Or perhaps the no tear gas rule is temporary, a gift to the poor Republican eyes, they clearly have enough trouble viewing reality already.

- on Tuesday the undercovers wore green bands around their arms or on their heads. Wednesday yellow. Today orange and red.

- has anyone ever seen a protester with a gun? if there was such a thing as a "violent protester" don't you think they would arm themselves?

- the standard tactic in anarchist channels now seems to be to blame any and all calls (and acts) to violence on undercover police provocateurs. One wonders if they get a different color armband. Maybe black?

New Abstractions

Hosting a couple new blogs, go forth and enjoy friends.

First up is Analytica run by Scott Von, quite possibly the only Guattarian analyst practicing in the world today.

And on the global scale is Hyperstition run by Reza Negarestani, the Iranian intellectual. Quite honestly I don't quite understand just what Hyperstition is or what they are talking about... but it features Mark K-Punk and a gaggle of other hyper intelligent posters.

The Champ is Here (Street Fire)

With a hat tip to Jon Caramanica we snag that fire for the streets. Jada as in Jadakiss. "he's been a threat from the hood to the internet". The Champ is Here. Green Lantern branded. Big Mike branded. "this right here is an official doctrine/ from a smart young real nigga with options" The options are the mix tape. Put the streets in a frenzy. Only the permanent button ups call it guerilla marketing. "ya know wha the fauck I'm talkin bout here guys?"

We bootleg the bootleg. Slsk represents true. Options. The "official" release is up there. We don't think twice, all we need is that mix tape. Never had love for the Jada before. Never had love for Yonkers, never felt substance past those beautiful DMX growls. Lox/D-Block always rolled like number 8 batters. Defense, a single here, a single there. No big hits. Major label maybe, but their game is still pick up. Street ballers. "Why is the industry designed to keep the artist in debt?".

When the legal single drops does it still ask: "why did Bush knock down the towers?" Jadakiss. "Currently a slave to Interscope". But does he stay that way? The mix tape economy is strong enough to make the hottest records. Is it strong enough to support the artists, or does record company capital reign supreme? Symbiotic, parasitic, or at war? There are two record industries now. One perpetuates legal crimes, the other criminally illegal. "Why sell in the stores what you can sell in the streets?"

The Corporation, Take 3 (of 3), Constructions:

The jewel of The Corporation is its conception of the corporation as being a psychopathic organization. I've previously mentioned its value (or invalue) as a propaganda tool. But this also stands as a key point from which to begin constructing solutions.

I'm not sure to what extent the filmmakers view the psychopath diagnosis as metaphor versus being the actual truth, but I'm fully in the metaphor camp. As a metaphor the psychopath construct's utility is basically constrained to its propaganda value. I don't think you can give a corporation the same therapy you would human psychopath. But right beneath the surface of the psychopath metaphor is an extremely useful analysis of the corporation.

Essentially the filmmakers look at the Corporation as an organizational form, one with a deep genetic flaw. Within the legal and cultural code of the contemporary joint stock corporation are serious flaws that influence the behavior of many, if not all corporations today. By locating and analyzing these flaws we unlock the potential to both alter the corporate legal code for the better, and to construct better organizations capable of replacing the corporate form.

The film underscores one particular flaw in the legal status of a corporation, corporate personhood, the fact that corporations have many of the rights of people under the law. Pretty much an absurdity, so much so that the law doesn't always actually follow the concept. Still a strong legal acknowledgement that corporations are not humans and thus subject to a completely different set of laws and rights could go a long way towards a better conceptualization of what roles these entities should play in society.

Ultimately though I suspect that corporate personhood is an effect of the corporate drive for power, not a cause. Is shifting the balance of power back towards another organization with repressive tendencies, the State, an answer to the problems posed by big business? In order for the answer to be "yes" the State must be ready to recode the corporate laws in a constructive manner. A dubious but not impossible prospect, and one that can be furthered greatly if the ideas on how to recode these entities are in existence. And this my friends is our job.

see also:
Abstract Dynamics: The Corporation, Take 1 (of 3), Propaganda

Abstract Dynamics: The Corporation, Take 2 (of 3), The Permanent Critique

plus a note: this piece was actually intended to be much longer, and might be updated, or might birth another piece. I'm putting it up now mainly because I dislike having an essentially negative piece as the first one on my site, my personal take on the Corporation is more positive then critical and hopefully the site will reflect that now.

The Corporation, Take 2 (of 3), The Permanent Critique:

The contemporary left has seemingly unlimited capacity for the negative. Their ability to find faults with world is match only with their in ability to offer viable alternatives to the awful picture of the world they generate.

An hour into The Corporation I'm fully convinced of the evil of this organization form, and I want to change things. Another hour passes, and I'd would like to thinking about the viable alternatives, the course of action. Instead I'm approaching the point of nihilism, of surrender, situation normal - all fucked up.

Its is at this point where point where one thread in my mind leaves the movies flow. If the world is really as awful as this movie paints it, then perhaps I am better off not caring? Would you rather be a medieval serf, toiling in servitude, or instead the king, living in luxury off the exploitation of the same serfs? Robber baron or the labor leader shot dead by Pinkerton guards? If the world is so bleak in helpless, perhaps you best of accepting that and living in ignorant pleasure.

Happily that is not my world view. I do not see world as half empty and out of resources for a refill. I don't see critique as a bludgeon or sword, but instead think it should be wielded more like a scalpel. With extreme precision and only when deemed necessary.

The king of the American left's materialist ubercritics is linguist Noam Chomsky. Now Chomsky occasionally is spot on. But I've never yet seen Chomsky acknowledge that life has room for pleasure. Chomsky seems to believe the overriding goal of most people's lives should be worrying about the world's atrocities. And from a propaganda standpoint that's a dud. Doesn't matter if he's right or wrong, few but the pessimists and sadists are going to subscribe to that world view. Critique as a bludgeon. Can someone please surgically remove this man from my mindscape?

It's not that The Corporation is 100% negative, there are a couple mild positives in the mix. Ray Anderson, CEO of Interface an industrial carpet company, pops in repeatedly through the film as a something of a hero. His Paul Hawkin inspired transformation of his company into a vision of sustainable development comes off quite well. Of course there is a certain violence between the possibilities he preaches and the filmmaker's "corporation as a psychopath" thesis, that unfortunately never gets addressed. Hmmmm.

The other hero is Oscar Olivera the Bolivian anti water privatization activist. And while I don't know his story other then through the film, he serves as a guide to what seems to be an old school marxist revolt against government privitization. Inspiring, yet hazily told, with no indication on how to reproduce or maintain such an action. More please!

Ultimately looking back on film (and bare in mind I have only had the opportunity to view it once, I will be rewatching once it is fully in the theaters), there is a clear junction of potentiality where the film could have run in any number of directions. The point is maybe an hours in, when the corporation is diagnosed as a psychopath. This could have easily been the climax of the film, a critical point, made sharply and strongly. Or it could have been the point of inflection, the diagnosis is in, time to develop a cure. Instead the filmmakers opt for more brutalist approach, they have diagnosed the corporation's illness and then proceed to kick the shit out it. And I'll admit I took some pleasure watching the god of neoclassical economics, Milton Friedman, hang himself with his own rope, for the most part the film criticizes endlessly into a cycle of despair. A cycle that seems perhaps perversely enjoyable to a certain breed of leftist. Count me out, I exit at the point of inflection. Critique ultimately breeds more critique and so its time to jump back and move on.

see also:
The Corporation, Take 1 (of 3), Propaganda

Abstract Dynamics: The Corporation, Take 3 (of 3), Constructions

The Corporation, Take 1 (of 3), Propaganda:

The Corporation - A film by Mark Achbar, Jennifer Abbott, and Joel Bakan is some damn good leftist propaganda. Be even better where it 40 minutes shorter (cut Noam no pleasure Chomsky please...) but well worth watching. The corporation as a psychopath is brilliant meme to propagate, let it spread. Propaganda is a good thing, Emma Goldman proudly produced it, todays left could gain a lot taking that perspective. Hopefully a couple kids with some free time and a copy of Final Cut Pro will do just that and make a good piece of propaganda even better.

see also:
Abstract Dynamics: The Corporation, Take 2 (of 3), The Permanent Critique

Abstract Dynamics: The Corporation, Take 3 (of 3), Constructions

Institutionalist Historians?

Anyone out there know of any historians worthy of being called institutionalists? The more contemporary the better (assuming any exist). What I'd like to find are historians looking at the world in terms of the interactions between large institutions (religions, governments, labor/guilds, armies, businesses, etc), sans dialectics and sans over reliance on markets as an end all be all.

Anyone know of a good jumping off point?

American Dynamics: War and Spectacle

Astute readers of this site will remember I've shifted my political posts over to an new site, American Dynamics. Still in the beta/experimental stage as I figure out exactly how I want to develop the site, but there is loads of content already...

In particular you might want to check out American Dynamics: War and Spectacle, which is something of a borderline post. Its certainly political, hence its posted there not here, but its got a theoretical side that might be of interest. So yeah go read it if ya wish.

all my love,
A

ps: I already linked it in the sidebar, but my friend Adam Greenfield's post: On responsibility and hope also deserves the main column attention.

Basslines? We Don't Need No Stinking Basslines!

The hallmark of a 21st century musical genre might just be is its ability to incorporate every other genre, without losing its own unique cohesiveness. And if that's true, I'm watch for Baltimore house getting its 15 seconds of fame real soon.

First off I'll admit to doing more then just sleeping on this music. House music without bass is the hollywood pitch for the sound, and really can you think of anything worse sounding? As a basshead the concept is appalling...

Thankfully Baltimore house is neither house music nor is it completely bass free. What it lacks is basslines, but there is still plenty of bass punch in the kick drums. And while the tracks might be at a house tempo, they are breakbeat driven, free of house's insistent mechanical syncopation.

Somehow somewhere in Baltimore a set of producers, DJs and partiers have reached a collective realization that bass is a grounding force, and as such its can subtly undercut a dancefloor, even when acting as the main driving force for all that dancing.

Psytrance have long known this and have turned it into a philosophy making music designed to release partiers from the earth and leave them stuck in some astral plane hallucination for as long as possible. However the removal of the bassline is only the start of the psytrance equation, the driving force behind it all are acidic synths that sound like they go on forever and ever, music sans ricochet.

Baltimore house has no use for leaving the earth, its only concerned with leaving behind the drudgery of the day to day. But they are quite content to stay within the room, thank you. The removal of the bassline only needs to unground the dancers enough to get their hands above their heads and their feet blurring a few inches in the air. While psytrance never wants to bounce unless perhaps it collides with some solar entity, Baltimore house shrapnels off every available surface. This is carnival music, manic beats and whistles, screams and shouts. Its party ya!

The absence of bassline it seems also makes the art of song splicing all that much easier. This music can have entire songs layered on top of it while still retaining its distinctiveness. Unlike most sample music, the splicing is not measured in bars, but in minutes. Throw the entirety of "Please Mr. Postman" on top of a Baltimore track and you've got a Baltimore classic. Repeat till everyone is sick of the sound... All that's missing is a <a href="Malcolm McLaren to hype it all.

Spirit Tech

Religion, like Gibson's "the street", finds its own uses for technology. But does technology find its own uses for religion?

That's the question that comes to mind after reading this post/thread: [Purse Lip Square Jaw] Anne Galloway: Cultural logic and computing

Pattern Navigation

What happens to landmarks when every store is a chain? When we live life at 70 miles an hour we hand our navigation skills over to the government and place our trust in freeway signage. But what about when slow down to 35, stop and go, through the infinite "strip" feeds Americans and their cars?

The preferred navigation is landmark. Follow the river, keep the mountain on your left, turn right at the large oak, veer left at the rabbit rock. Walk towards the walls, through the iron gates, left at inn, right at the bank. Towards the capital, left at the Starbucks, right at the Jamba Juice, you'll see it right before the B of A... All of a sudden our landmarks are multiplying. And make no mistake plenty of effort goes into making sure those marks are memorable. But anyone who turns at a Starbucks is going nowhere but in circles... Drive around any populated space, USA and you navigate not by landmark but by pattern. Radio Shack doesn't define the location, but a Radio Shack, Baja Fresh, Noah's Bagels sequence just might.

To an extent we need to shut down the landmarks to navigate. "Look over there, to the right, a, Albertson's supermarket" This is not an expression of location, it represents instead a dislocation. For a moment we could be at any number of supermarkets. We need to establish pattern, step back, reorient to a larger world. Is there a Sally's Beauty Supply next door? An In N Out Burger behind us? The patterns of spacial DNA decode, our location revealed, or perhaps transposed.

One wonders how much meaning the patterns carry. Do our emotions rise as Dunkin' Donuts to Starbucks to Peet's signal the motion into wealthier neighborhoods. Or do our windows and locks tighten as the fried chicken downgrades, Popeye's to Kennedy Fried. Does the tinker's heart beat quicken as a Circuit City, Pep Boy's, Mienke sequence signals the shift into a preferential space.

Is there perhaps a shift back into history, away from the landmarked space of agriculture and into the woods of a hunter gatherer. A sequence of footsteps leads towards a limping deer. A pattern of droppings leading towards the blueberry bushes. A spectrum of greens encircling a rush of fresh water. As information multiplies around us like kudzu and giant crabs, are we pulled back towards the forests, into the jungle of complexity? A space that can be navigated by a slow gather or rapid hunt, but not by rational reduction of the stimuli?

Magazine, Blog, Future

En route to Texas I got plenty of chances to browse the magazine racks. And what struck me hardest is just how out of date the content seemed. The rapid fire publication form of web and blogs in particular seems to have routed the news around the magazine magazine world. Once I used to devour dozens of mags a month, all in the name of information, and now I struggle to find glimmers of new information inside an overstuffed newstand.

Magazines aren't going anywhere of course, the demand for print is real and nothing digital in the pipeline will replace it. But content wise the mags are at an extreme disadvantage. The only thing they provide that isn't free online is the long form investigative piece. And how many mags offer that at all?

During last fall's Creativity Now conference writer and editor Carlo McCormick told an anecdote of his first meeting of his eventual wife's father, an old school British ad man.

The question of his work of course emerges and McCormick begins going into all the fantastic cultural events he's covered, interviews done, major magazines he's written for and so on. The father listens patiently. Finally he speaks:

"oh, so you write the stuff that goes on the back of the ads".

Ok, so its only a half true statement, but that half a truth is painfully clear. There is of course a degree of consumer demand for magazines and for high quality content to fill them. But the demand that is really pushing these magazines to the press is the demand by advertisers for a high quality space in which to promote their products. Nothing testifies to this fact more then the way magazines determine how much content to publish based on how many ad pages they've sold. The ratio of ads to content remains constant, so more ads means more content, less ads less content.

Now at the moment advertisers are far happier spending their money on high res tactile environment of a magazine then on the viscous ether of blog space. But as more advertisers get comfortable with the web and web advertising begins showing more clear results the balance will begin to shift. I wouldn't be surprised if the top political blogs this year pull in north of $100,000 in ad sales.

And if and when blog ads can generate enough revenue in the realm of real salaries we are going to see something interesting occur. Suddenly the blog space will begin generating stories that compete directly with the higher levels of magazine journalism. And that feedback loop just brings in more audience and more ad revenue and then more writers.

Magazines strength once was that they could be printed cheaply and quickly, read then disposed of. Unlike the even cheaper and quicker newspapers though, they were also highly filtered and focused. Weblogs hit at both these strengths simultaneously. There is no way magazines can compete on the quick cheap and disposable front, they'll get lapped by the rapid fire publishing of blogs every time. On filtration and focus magazines are on better ground, the art of the editor is a refined one and it works well in the magazine context. But the blog form has its own filtration dynamic, one that overlaps significantly with the magazine space.

So what happens to magazines when their chief value as a medium shifts from being a fast and cheap information delivery vehicle and towards a dense, hi res marketing tool?

The process of course is well underway and I think we can see a few trends. One is the all ad magazine. Lucky and Sony Style capture this dynamic well. The difference between editorial and ad? I wouldn't know I don't read those things. The question is does anyone? Lucky (a magazine about shopping) at least appears to be a smash hit. I'm not even going to try and guess what comes out of this space, other say: 1 - given how much demand there is from the marketing side for this stuff at some point something interesting is bound to emerge. 2 - the amount of money it will take for each interesting thing to emerge is going to be abysmally low.

There is fortunately a more interesting demand for magazines though, one driven not by the advertisers or readers, but by the producers. The cost of becoming a designer or photographer has lowered dramatically over the past couple decades, leaving us with a excess of wannabe magazine producers. The results are perhaps most visible in the space of fashion, which now churns out dozens of glossy expensive magazines. And for the most part what these multitude of producers want is use the magazine as a space of creative expression.

These are forces pushing the magazine towards being a work of art. For the most part they have not succeeded. Instead they collide with more material forces. The magazine as creative showcase has a tendency to demand expensive production. More gloss, more color, more resolution, better paper, die cuts, and onward. Suddenly the push is no longer towards art but towards luxury. It here that the creative push meets the needs of potential funders. Visionaire is the trailblazer here, and I suspect that trail is about to get paved over, and perhaps turned into a mini-mall, high end of course...

Marxism and Schizophrenia

Social machines make a habit of feeding on the contradictions they give rise to, on the crises they provoke, on the anxieties they engenger, and on the infernal operations they regenerate. Capitalism has learned this and has ceased doubting itself, while even socialists have abandoned belief in capitalism's natural death by attrition. No one has ever died from contradictions. And the more it breaks down, the more it schizophrenizes, the better it works, the American way.

- Deleuze and Guattari, Anti-Oedipus, Capitalism and Schizophrenia part 1

Diving into Anti-Oedipus once again and I'm left wondering if perhaps the capitalism/schizophrenia connection of the title is merely a manifestation of the schizoanalysis process they take themselves through. Its not capitalism itself that is schizophrenic, but the marxist/leftist critique of it.

As Deleuze and Guattari begin to emerge from their schizophrenic journey in A Thousand Plateaus, Capitalism and Schizophrenia part 2 both the capitalism and schizophrenia of the subtitle are conspicuously absent from large portions of the book. The analysis is no longer schizophrenic, we have left the marxist plane of immanence and entered into Delueze and Guattari's own. And in this plane capitalism perhaps does not even exist. And in its place we have a whole host of concepts through which a new economic analysis can be built.

The obligatory irony is that Delueze and Guattari were never willing to give up their own marxism as Delanda has pointed out:

Marxism is Deleuze and Guattari's little Oedipus, the small piece of territory they must keep to come back at night after a wild day of deterritorializing. Who could blame them for needing a resting place, a familiar place with all the reassurances of the Marxist tradition (and its powerful iconography of martyrs and revolutionaries)?

And of course this is not a problem limited to just Deleuze and Guattari. The left of today has dismissed most of marxism in little bits and pieces. But when it comes to larger analysis they retreat right back to its core assumptions. Faith that capitalism exists as some sort of worldwide system. Belief that that system contains internal contractions that make it evil or wrong, and perhaps might lead to collapse. Hope for some sort of larger scale revolution overthrowing said system. Desire for continuous resistance against the system. All without much real evidence that said system actually exists in anyway like the manner it is conceptualized...

Fashionably Late

click for larger image

Fashion is perhaps both the highest and lowest of the art forms. On the low it is inescapable, nearly everyone wears clothes and the clothes they where inevitably communicate. Perhaps its no surprise that most people run from this creative opportunity, wearing only what it takes to go unnoticed amongst their peers, in the process broadcasting their tribal identities.

On the high though, fashion is impossibly rarified and encoded. There are apparently only several hundred individuals in the world both wealthy and inclined enough to actually buy regularly from the couture collections. While I'm not aware of the legitimate history of our present fashion system, one can sense the strong links back to the courts of Europe, France in particular.

Pretenses aside, a fashion show is as much a temporary autonomous court as it is a way to show clothes. The structure is better designed for seeing social status then actually watching the lowly models act as mobile clothes hangers. The hierarchy is clearly demarcated in the seating arrangements, themselves arranged perfectly to look at everyone else. No opera glasses needed, its all there in the open. You barely need to pretend to watch the show, half the court is ten feet away on the other side of the runway.

The models themselves are another story. Faces' ice cold, eyes focused several miles outside the room, the walk rigid and robotic. Dehumanized for the court, lucky to be there in some form at all. If they play the game right, they one day too can be seated like a courtier.

The modeling system itself is as much about lifting the fashion nobles ideas of beauty out of the lower classes and injecting it into their own microcosm. Most models are paid little, but compensated in more devious manners. They are perhaps the last social group trained to walk and act, put through a finishing school. Much of their small wages gets funneled towards the agency's network, photographs, portfolios, postcards, agency owned apartments in city centers. In turn they get clothes, and party invites. Dressed up and trained, then wisked into the world of nightclubs where getting a table means spending buying $300 bottles of liquor. Work this space right and the model just may, with luck and skill wind up one of those few hundred wealthy and inclined enough to afford that couture.

Nuance, Nuisance and Networks

Way back maybe 9 or 10 months ago in the first golden age of social software, the concept of nuance came up. Several people whose opinion I respect mentioned that the then current generation of software, just wasn't nuanced enough to capture the social dynamics properly.

At the time I had a sense I couldn't quite agree, but it was impossible to figure out why. Its not that it wouldn't be great to see more nuanced social software, it certainly would be. But I have my doubts as to just how possible it is. Certainly not impossible, but it seems ever more unlikely as Google's entry into the space, Orkut, makes abundantly clear.

Orkut is in "alpha" so we are going to do the best we can to pass on criticizing their hemorrhoid at the Renaissance Faire aesthetic. No, what we are really interested in is just what happens when a quality software company with massive networking experience enters into this social software space... and falls flat on its face. Rather then adding nuance, Orkut seems to add nothing but nuisance to the social software experience.

A piece of software can be looked at as a conversation between the user and the software itself, and by extension the software's creators. The software exists to figure out what the user wants to do and then to guide them towards their goals. And even in this one to one, software to user relationship its pretty rare to find a truly nuanced piece of software. Of all the software I use extensively I think only two I'm comfortable calling nuanced (in a positive manner at least) are Adobe's Photoshop and Illustrator.

Now when it comes social software, the conversation suddenly gets dramatically more complex. Suddenly the software is not just having a conversation with the user, but its trying to get the various users have conversations with each other. And the software is present in each one of these conversations, butting its ugly head in and shaping the dialogue. All you want to do is connect with your friends, but this damn application keeps getting in way trying to "help". The nuances that the users want are not in the conversation with the program, but in the conversation with their friends.

Over on Many 2 Many David Weinberger has a good post on part of the reason social software like Orkut keeps getting in the way. Social ties and conversations are inherently fuzzy and blurry. In Deleuzian terms they exist within smooth space, where as the databases powering social software programs are striated by definition. The more datapoints the software tries to define, the more violence it does to the fuzzy nuanced connections that construct real friendship and relationships.

In many ways it is the stripped down dataset of Friendster that allows for nuance. It isolates one key variable essential for building a social network and then gets the hell out of the way. Orkut by contrast tries to define all sorts of data, coolness, sexiness, reliability, and in the process just makes a fool of itself. All 7 of my Orkut friends are of course 3 smiles reliable, 3 ice cubes cool and 3 hearts sexy. But I've actually met less of half of them, so I have an advantage in making those judgements... But really, do you want to explain why you only gave someone two smiles, or why you gave one sister a heart more then the other? This isn't a space you want to be hanging out in. Each datapoint that Orkut grabs is striation, a point of potential conflict, a nuisance not a nuance.

A good social software programmer could do well learning from the great social engineers and machines of our time, the waiter and the restaurant. The restaurant provides a table of you and your companions. It provides the setting (food and drink) to make the conversation comfortable. And then it disappears in the background, allowing your conversation to develop on its own.

A good waiter is there when you need him or her and then disappears. The waiter doesn't provide the conversation, the waiter provides the elements to make the conversation comfortable. But when you need service, switch. The good waiter is there, always ready to react if something goes wrong, but never interupting the natural flow of your conversation. Provide the setting, maintain it discreetly, stay aware of requests for help, but otherwise disappear.

"The Problem" and it's problems

Steven Shaviro has an excellent post on the rising anti-State tendencies of the intellectual left.

His conclusion is one I can pretty much agree with, but with notes:

I take the rather unfashionable position that a progressive and democratic politics today must conceptualize and affirm some form of the State, and that “politics without the State” is a chimera.

note 1, the "today" is essential I's use it to mean now and for the short term (next couple decades most likely) future.

note 2, the "unfashionable" is pretty funny. Its true for a particular subsection of leftist intellectuals, but doesn't really scale much at all. The anti State leftists are on the radical fringes with Chomsky and Hardt/Negri being about as close as these ideas even get to major "progressive" information channels.

Now while I agree with Shaviro's conclusions, I'm not sure I can say the same with all the stops along the road. Here he gets into one of his major disagreements with the anti-State crew:

I wish that anarcho-collectivists, like Veroli et al, would get over their negative fetishization of “the State” as the source of all evil. I know this may make me sound like an old-line marxist fundamentalist, but I’m sorry: the State is not the problem, multi- and transnational capital is.

Its that last line that kills me. Its not like this is a multiple choice test, with either the State or multinational capital being "the problem". In fact I'd start by saying its far clear that anything at all is "the problem". There are problems for sure, problems with both states and with multinational corporations. But to bundle the multitude of issues up into "the problem" seems to me to be highly problematic in itself.

Fundamentally I find it really hard to take seriously anyone's claims that they actually understand how such enormous, interwoven and somewhat abstract entities such as "the State" and transnational capital actually function. The reality is that we just don't have a great understanding of their workings. Marx made perhaps the best attempt to break it all down. And a hundred years ago you could probably make a good case that he was reasonably accurate. But given radical economic transformations of the past century, his analysis doesn't look so accurate. Yet his claim that surplus labor will lead to the inevitable collapse of "capitalism" remains the only rigorous leftist critique of contemporary economic mechanics. And quite honestly its laughable.

Increasing I get a sense that the left has a deep seed personal need to believe that there is something seriously wrong with the world. And of course there are numerous localized problems that can identified. But there also appears to be a need to extrapolate these problems into a massive boogeyman of "capitalism" or "the State". The process of this extrapolation is beyond me.

Perhaps the same brain centers that produce belief in the supernatural are at work, those that have killed god seek to fill the void with another amorphous entity. The left traditionally looks to capitalism as jealous and vengeful god, while the right prefers the kind "invisible hand" god driven by "free" markets.

The action of producing these massive amorphous entities is also one of an odd personal liberation. Suddenly the problems of the world are driven by operations larger then the mind can quite grasp. They are several steps away from day to day existence, part of an imaginary system, that can be critiqued at will, but desperately hard to change and isolated from acts of living and working. Only the clergy, the hardcore protesters and activists end up dealing with the concepts and problems created by "capitalism" and "the State".

I've got no use for this bullshit. We live and world filled both with great beauty and substantive problems. And those problems are ones that we can do a lot towards solving. But in order to begin solving these issues its important to set aside many of tropes that have left the left stagnating in their own outdated concepts. Its time to move beyond the notions of "resistance", "revolution" and the excessive reliance on "critical" theory. There is no known war for the left to fight, no proven "system" to revolt against. There is a time and space for the critical, but there also need for the constructive and positive, both in reality and theory.

Visualizing Information

Carnegie Mellon: Journal of Social Structure: Visualizing Social Networks has absurd amount of information that I can't process at the moment. Tempted to hold it for a cold snowy day, except that would be now... Beautiful pictures though.

[via socialfiction.org]

Beware of Leo Strauss

Leo Strauss might be dead but he is still potentially scary. His followers most certainly are.

No Style, No Substance

Virginia Postrel's The Substance of Style is neither substantive nor stylish. In fact the prose is about as bland and drab as a Soviet apartment block. The deeper problem however is that Mrs. Postrel apparently lives in a world where urban legends, trends hyped up by hack journalists and the contents of corporate press releases constitute reality. I highly suspect Mrs. Postrel is the sort of person you could convince gullible is not a word in the dictionary. Needless to say critical thinking is not a part of her vocabulary.

All this is sad because she sets out to right about what should be a fascinating subject to me, the rising popularity of design culture in America. And for a moment or two in chapter 5 "The Boundaries of Design" she actually touches on some interesting issues. Touches, but does not explore.

For the rest of the book Mrs. Postrel is content to do two things:

1 - State the blindingly obvious, that people care about aesthetics.
2 - Completely strip the current trends of design out of any meaningful context in order to construct a bumbling argument that we are entering an "age of aesthetics".

The core absurdity of this woeful excuse for a book is that Postrel somehow thinks people caring about aesthetics is a new thing. Its as if people never took care in selecting their china patterns a hundred years ago, indigo was never a luxury commodity and homes where never filled with decoration.

What Postrel completely misses, that the Henry Ford style "any color as long as its black" anti aesthetic stance that she hates so much, is actually the anomaly. The uniformity of design that is currently disappearing is actually a manifestation of the first stages of industrialization and mass production.

Postrel appears to want to believe that an "Age of Aestetics" is rising out of a new popular demand. And in order to make the argument she completely ignores the context of what is actually driving the events that she's read the press releases for. What she wants to see as a demand driven focus on "design" is actually a manifestation of various technological, economic and sociocultural changes in society. The demand for customization is not new at all, but in early state mass production it just wasn't possible.

Postrel however has no interest in exploring the real dynamics that are driving transformation, despite the ironic fact that her blog is titled "Dynamist". Instead she spends her whole time attempting to isolate "aesthetics" from any context, in order to manufacture her little "age". Of course the truth is that aesthetics, which are of course important to people, can not be so easily stripped from surroundings.

The 20 toilet brushes of Target exist, not just because there is demand, but because the technology exists to make them cheaply. The twelve year old dying his hair purple is not just doing because he love the color, he's doing it because of the cultural meaning associated with the action. The gold lettering on Postrel's book jacket is not there purely because she likes shiny things, its there because gold conveys a story, one that has evolved through geology, war and commerce.

The fact is there is probably a whole slew of books ready to emerge from the territory Postrel bumbles through so cluelessly. Good books. The Substance of Style is not one of them.

You Down With OPC, Yeah You Know Me

The back cover of Steven Shaviro's Connected calls him a DJ theorist, and for once the cover blurb is spot on. Like a DJ in the mix, Shaviro never pauses the flow of information, there are no chapters. Instead he cuts back and forth between what we'll call, in homage to Naughty by Nature and D&G, "Other People's Concepts" or OPC for short. Of course like many a good DJ me makes sure to mix in a good amount of his own creations in the proceedings. But make no mistake about it this is a mix, and its pretty seamless.

So we have the DJ, but what about the party? Connected plays like the dark afterhours club we stumbled into after the bright eyed euphoria of the dot com party got harshly shutdown. The venture capitalists and marketing bunnies have all gone home to nurse their stock option hangovers, but many of the interesting people are still around. Or maybe finally gotten out of the house. The vibe is dark, hard sci fi cyberpunks, mixing it up with west coast, Whole Earth/Wired school thinkers and euro cultural theorists.

There are A list stars in the mix, Baudrillard is cut together with William Gibson for instance. But Shaviro brings in a lot of gems that well known only to the trainspotters, KW Jeter serves as something of villain/antihero, while Warren Ellis, Ken MacLeod and Georges Bataille's concepts are prominent in the mix. In fact the bibliography serves as a damn good guide to turn of the century cybertheory.

Like many a good afterhours Connected makes plenty of sense while your in the midst of it. Whether you will take anything away is another question, and one that might take time to answer. From Jazz through Electroclash, many a music form has been born in the dark spaces of illicit entertainment. Shaviro would have us believe that he dark spaces of hard science fiction and radical theory are equally as fertile, and he may well be right.

Coase, Information and Dean

Everett Ehrlich has a very interesting article applying some of Roland Coase's (economist du jour) ideas to the Howard Dean campaign. Fascinating, but somewhat misguided, almost science fiction in the way it focuses on a couple ideas and stretches them out. It's a fun ride, raising good questions, but his fundamental premise is fundamentally flawed:

But the Internet has changed all that in one crucial respect that wouldn't surprise Coase one bit. To an economist, the "trick" of the Internet is that it drives the cost of information down to virtually zero. So according to Coase's theory, smaller information-gathering costs mean smaller organizations. And that's why the Internet has made it easier for small folks, whether small firms or dark-horse candidates such as Howard Dean, to take on the big ones.

Now this ignores a few potent issues. While the internet might make it easier to get information from halfway around the world, it also makes it dramatically easier to create information. The problem shifts from gathering information, to filtering information. The internet opens up new methodologies for organization building, but does it make it fundamentally easier? You are reading this on the internet, can you build Howard Dean's organization?

Not all information is equal. Knowing the direct line to the oval office is worth more then knowing my cell phone number. And information is not the end all be all. Just cause you've learned the number to the oval office doesn't mean the president will listen to you. In short information isn't quite as simple as Ehrlich would make it out to be. And Dean isn't quite as revolutionary either. There is more value in the traditional party structure then Ehrlich realizes when he predicts Dean would form a third party if he loses this election. Dean on the other hand is well aware that the dems organization is still worth something. The internet is a component, not the whole machine.

[via Many to Many]

Simondon

The Pinocchio Theory: Gilbert Simondon

crashage ate a longer post jumping off from that link, but for now if your into proto-Deleuzian thought you'll probably just enjoy reading the link itself.

update: Anne adds a whole treasure chest full of additional info.

Psychogeography

socialfiction.org is building PML a psychogeographical markup language although I'm only slightly sure what that means.

Psychogeography is a concept that's been buzzing in the periphery of my information flows for a while now, but I've never quite explored it. But glowlab, -: nicolas nova and socialfiction.org seem like the places to start.

Coincidentally I just got a copy of Joseph Turow's Breaking Up America: Advertisers and the New Media World in the mail today.

The very first quote leading off the first chapter:

"Advertisers will have their choice of horizontal demographic groups and vertical psychogeographic program types"

Which appeared in Advertising Age back in 1981. Wonder if this is the same psychogeography? More perhaps to come.

Žižek, Organs

Is Slavoj Žižek the world's foremost intellectual shit talker? Organs Without Bodies reads like an imaginary game of the dozens played with Deleuze as the stumbling sucker who never gets off a proper snap. Plus its a game of the dozens written in academic prose and coupled with non sequitur monologues. Entertaining? sometimes. Insightful? occasionally. Am I remotely convinced that Deleuze is secretly Hegelian? You've gots to be shitting me.

I'd hire Žižek as a copywriter in a second. Probably not going to read another book of his for quite a while though...

Worshipping the Bomb

and you remember back to all those 50s movies where all these kids are doing nuclear drills, the air-raid siren goes and all these kids get down on their hands and knees and they hold their arms over their heads. You think: what's going on here? and it's obvious - they're worshipping the bomb, they're like atomic Muslims, the mushroom has become this Mecca and they're pointing towards the East. The bomb is mutation and the kids are going "mutate me, mutate me", "melt me, meld me".

from Kodwo Eshun's - Abducted by Audio (Live), which is actually mainly about the darkside in music.

[via k-punk]at

Referenced for Future Reference: Information Wants to Be Valuable

"Information doesn't want to be free. Information wants to be valuable."

Open Money

Open Money?

Wander: Gabriel Tarde + ANT

The Pinocchio Theory: Gabriel Tarde --> Bruno Latour: Gabriel Tarde and the End of the Social --> What is Actor-Network Theory? --> Bruno Latour: 'On Recalling ANT'

new added bonus wander: anne galloway [purse lip square jaw]: Belief and desire all the way down --> Forefathers of Memetics: Gabriel Tarde and the Laws of Imitation --> Mineure : Tarde intempestif (that last one is in french and thus beyond me...)